(Australian 1973 - 1977)
Peter Dawkins, Ariel's first Producer recalls:
I remember being locked away in EMI Sydney's new Studio B (new in '73)and feeling that we had something special. Ariel had been born of the remnants of Spectrum when Mike Rudd and his long-time buddy and bass player, Bill Putt, had added to their line-up Sydney guitarist Tim Gaze, whose compositions, singing and playing complemented Rudd's unusual vocal and guitar playing style. Also a crazy Canberra keyboard player John Mills, who experimented on the original Mini Moog, and Nigel Macara, an amazing drummer whose humour, like his drumming, nearly always hit the spot.
The album was recorded on a 16 track Studer 2" on an EMI console, one of the last ever produced by Abbey Road. Due to tight economy, the desk came minus some of its key components, such as high and low pass filters and noise gates. For this reason we chose to record all the tom fills as overdubs.
|Ariel circa 1973 - Mike Rudd, Bill Putt, Nigel Macara, John Mills and Tim Gaze|
Even now I feel the album as a great piece of recording. I was pleased when Jamaican Farewell won the FACB Award as single of the year. To make our day, EMI international President Allen Davies fell in love with the album and he told me, "I can't recall ever hearing a song about necrophilia!" (from Confessions of a Psychopatic Cowpoke). It was because of his enthusiasm for 'A Strange Fantastic Dream' that the band was invited to tour the UK and record their next album at Abbey Road.
Twenty-eight years down the track, A Strange Fantastic Dream remains high on my list of personal favourite productions. (Peter Dawkins, Sydney 2001)
Listening Back, Think Again - Ed Nimmervoll comments:
The two groups Mike Rudd and Bill Putt will always be associated with are Spectrum and Ariel. For a long time I thought of them as very separate entities. Spectrum died, and out of its ashes Mike and Bill emerged with a new band, with a new repertoire and new comrades in arms, Ariel.
Spectrum had seen Mike Rudd and Bill Putt from their R&B roots (Chants R&B for Mike, the Lost Souls for Bill) through music's "rock as art" years.
By 1973 a new wind was blowing. For all their make-up, glitter and stacked boots T.Rex, Slade, Gary Glitter and even Status Quo represented a rock and roll revival. At the same time in Melbourne, in a turbulent few weeks a number of musicians seemed to step out of their current situations through a revolving door, and in the shake-up three new bands emerged, Mighty Kong, The Dingoes and Ariel. Tamam Shud members Tim Gaze and Nigel Macara came from Sydney to join what became Mighty Kong and ended up with Mike, Bill and John Mills from Spectrum in Ariel.
It was a good place to start fresh, with a new name and a completely new set of songs. Quickly they recorded 'A Strange Fantastic Dream'. A strong fantastic start for a dream band. There would be two more Ariel studio albums, with very different line-ups around Mike and Bill. Always Mike and Bill. Looking back, there is also a significant continuity in the music they've made together. (Ed. Nimmervoll 2002)
01 Jamaican Farewell 2:50
02 No Encores 3:47
03 Confessions Of A Psycopathic Cowpoke 4:43
04 And I'm Blue 2:51
05 Garden Of The Frenzied Cortinas 7:46
06 Miracle Man 5:29
08 Worm-Turning Blues 2:56
09 Wheezer Grunter Module Threadaboy / Harry V. Dirchy (God The Man) 4:20
10 Hard Way To Go 3:48
11 And If It Wasn't For You 2:32
12 Red Hot Momma 2:38
Mike Rudd - Guitar, Vocals, Harmonica
Phil Putt - Bass
Tim Gaze - Acoustic & Electric Guitar, Celeste, Vocals
Nigel Macara - Drums, Percussion, Vocals
John Mills - Keyboards
Ariel Link (320Mb)