Showing posts with label Marcia Hines. Show all posts
Showing posts with label Marcia Hines. Show all posts

Saturday, May 16, 2020

Marcia Hines - Greatest Hits Vol 1 & 2 (1981, 1982) plus bonus tracks

(Australian 1970 - Present)
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Marcia Hines is the most successful female performer / recording artist in Australia, in the history of Australian music. Since beginning her recording career with Wizard Records in 1975, Marcia has become Australia's

- No.1 Female Recording Artist from 1975 - 1979
- No.1 Soul Recording Artist from 1976 - 1979
- Queen Of Pop from 1976 - 1978
- No.1 Selling Local Recording Artist from 1977 - 1978
- No.1 Concert Attraction 1976 - 1979
- Entertainer of the Year (Gold Sammy Award) 1979

Marcia came to Australia from Boston USA at the age of 16 to co-star in the Australian production of "Hair" following which she starred as Mary Magdalene in "Jesus Christ Superstar" for almost two years.

Her five albums produced by Robbie Porter for Wizard/Miracle ('Marcia Shines','Shining','Ladies and gentlemen','Live Across Australia' and 'Ooh Child') have notched up sales of over 600,000 units in Australia alone, and have earned her a total of 11 Platinum Album Awards.

Marcia was Australian Idol’s favourite judge for the show’s seven consecutive years, and was inducted into the ARIA Hall of Fame in 2007. She received the Order of Australia (AM) in 2009 for her services to the Australian Entertainment Industry as a performer, judge and mentor, and to the community through a range of charitable organisations.

Marcia's Discograhy
The legendary former ‘Queen of Pop’ shows no sign of letting up! The hit fringe festival stage production ‘Velvet’ began in Adelaide in 2015 and has travelled the world with Marcia in the starring role. In January 2019 a new Spiegeltent production, set in the streets of Paris and titled ‘Pigalle’ was the sell-out hit of the Sydney Festival. It starred Marcia along with iOTA and Waangenga Blanco from The Bangarra Dance Company.

Marcia then commenced rehearsals for ‘Saturday Night Fever’, the legendary musical, opening at Sydney’s Lyric Theatre on April 2, 2019, and then travelling Australia. This spectacular new stage production and interpretation of both the film and the Bee Gee’s soundtrack, features Marcia in the starring role and joining her are Timomatic and Paulini, along with Euan Doidge as Tony and Melanie Hawkins as Stephanie. They are also joined by Natalie Conway, Bobby Fox and Nana Matapule.


These two Collector editions of her 'Greatest Hits' not only contain just about all of her hit singles, but also a number of Marcia concert favourites, as well as 'new versions' of "From The Inside" and "Jumpin' jack Flash" never before released on any album.  For more background information about Marcia's rise to fame and her contributions to the Australian Music Industry, see me previous posts: HERE
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This post consists of FLACs ripped from my near perfect, shrink wrapped vinyl and full album artwork and label scans. I have also chosen to include 3 bonus tracks that will enable you to reproduce a more recent CD release entitled Marcia: Greatest Hits (1975 - 1983) - artwork included (see cover below)
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Greatest Hits (1981)
01 From The Inside (New Version) 3:56
02 Shining 3:42
03 Something's Missing (In My Life) 4:36
04 What I Did For Love 3:15
05 I Just Don't Know What To Do With Myself 3:06
06 Where Did We Go Wrong 4:03
07 Fire And Rain 4:44
08 I Don't Know How To Love Him 3:46
09 You 3:15
10 Don't Let The Grass Grow 2:58
11 Jumpin' Jack Flash (New Version) 3:13
12 Whatever Goes Around 2:57
13 Trilogy 4:19
14 Moments 3:22
15 Music Is My Life 2:07
16 Believe In Me 2:07
17 Empty 2:34
18 I've Got The Music In Me 4:12

Greatest Hits Vol 2 (1982)
01 Signed, Sealed, Delivered (3:30)
02 Love Is the Key (2:30)
03 April Sun in Cuba (3:45) /
04 Save the Last Dance for Me (2:39)
05 (Until) Your Love Broke Through (3:19)
06 A Love Story (3:35)
07 In a Mellow Mood (2:40)
08 Maybe it's Time (3:20)
09 Love is a Hurtin' Thing (2:56)
10 Try it With Me (2:46)
11 You Gotta Let Go (3:30)
12 But it's Alright (2:35)
13 Let the Music Play (4:26)
14 Dance You Fool Dance (5:16)
15 Imagination (Live) (3:49)
16 Once We Get Started (Live) (4:55)
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Bonus Tracks   (for Greatest Hits 1975-1983)
-  Your Love Still Brings Me To My Knees 3:33
-  What A Bitch Is Love   3:50
-  Heart Like A Radio 3:51

Marcia Hines Link (784Mb)
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Saturday, May 12, 2018

REPOST: Jon English and Marcia Hines - Jokers and Queens (1982)

(Australian)
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This post brings two highly regarded artists 'Jon English' and 'Marcia Hines' together in 1982 with their mini LP "Jokers & Queens" backed on guitar by John Dallimore (ex Redhouse) & Ross East (ex Copperwine), Keith Kerwin (ex Avengers), bass John Coker, Bruno Distanislo, Keyboards Charlie Hull, Peter Deacon (ex Nitro), Steve Ball (ex Kush), Drums Greg Henson (ex Ben Turpin), Hamish Stuart (ex Ayers Rock), Sunil De Silva (ex Hot City Bump Band). The “Jokers and Queens” tour ran for nearly two years.
Recorded for Midnight Records with 3 original and 3 covers produced by Charlie Hull & Jon, the album is another one of those great Aussie LP's that has yet to be released in CD format.
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Jon English (1968-Present)
English born singer Jon English cut his rock performance teeth in a number of bands during the late 60s and early 70s in his adopted country Australia, having moved here in 1961 at age 12. The most notable of these was the band Sebastian Hardie which English fronted until early 1972. Soon after Jon English won the role of Judas Iscariot in the Australian stage production of ‘Jesus Christ Superstar’. Performing alongside another great singer in Marcia Hines, English showed his versatility as a stage performer and actor.
The production toured for the next five years, but along the way English found the time and energy to record his debut solo album ‘Wine Dark Sea’. The album was well received but didn’t yield any hit singles. English’s follow up ‘It’s All In A Game’ proved to be the breakthrough for ole ‘black eyes’ as he was affectionately dubbed, led by the hit ‘Turn The Page’ (#7) in early ‘75. The second half of the 70s would prove a prodigious period for English. His 1976 album ‘Hollywood Seven’ reached the OZ top 20. The title track reached #13 and proved the perfect vehicle to display English’s ability to belt out a classic dramatic rock ballad.
The album ’Minutes To Midnight’ followed within eight months, but it was to be the 1978 album ’Words Are Not Enough’ that would see English finally receive a well deserved top 10 hit with the title track. During the same period English took the lead role in the popular TV mini-series ‘Against The Wind’, and to top it off collaborated with old Sebastian Hardie bandmate Mario Millo to compose, record and produce the soundtrack album, featuring English’s biggest career hit ‘Six Ribbons’ (#5).
The hits continued through 1979 and 1980 with ‘Get Your Love Right’ (#27) and ‘Hot Town’ (#11). English toured extensively in the early 80s around Australia and overseas, but international success largely eluded him - like so many Australian artists of that era - however he did breakthrough to enjoy considerable commercial success in Scandinavia during that time. 1982 also saw English rekindle a great creative partnership with Marcia Hines on the single ‘Jokers And Queens’ (#62).
In 1983 English released the album ‘Some People’. The title track reached #50, whilst the follow up ‘Waterloo’ (not the ABBA song) lost the battle for chart success at #96. But I was among those to purchase ‘Waterloo’ on 45 and absolutely loved the song. It’s a brilliant rock-ballad that tells of the events at the historic Battle of Waterloo, from the perspective of a 15 year old drummer boy in Napoleon Bonaparte’s army. It’s one of those songs that can literally send shivers up the spine, very emotive and delivered with such fervour by English. I played my 45 copy until the grooves were well worn, not to mention it featuring one of the best B-sides I’ve ever heard with the song ‘Oh, Paris’ - a precursor toward English‘s future efforts in the stage musical and album ‘Paris‘. I was well pleased to finally obtain a CD copy of ‘Waterloo’ through its inclusion on Jon English’s second ‘best of’ compilation, ‘English History II’ released in 2001. [extract from Retro Universe]
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Marcia Hines (1970-Present)
Marcia Elaine Hines was born in Boston, Massachusetts and moved to Sydney in 1970 at age 16, after auditioning for the Australian production of ‘HAIR’. At the time she was unaware she was pregnant with her daughter Deni.
Following ‘HAIR’, she starred as Mary Magdalene in the production of ‘Jesus Christ Superstar’.
Marcia achieved great success as a recording artist in the 70’s with many hits and was voted ‘Queen of Pop’. During this period, her debut album was released, ‘Marcia Shines’, and it became the biggest selling album by an Australian female artist. Within one week it had sold 7,000 copies. Over the next eight months it topped the 50,000 sales mark.
In February 1976, she toured with Gene Pitney. Then, in May, came her third single, 'Don't Let The Grass Grow'/'You Gotta Let Go', which didn't make the charts. Hot on the heels of her first successful album, Marcia left for Los Angeles midway through 1976 to record her second at the Arbee Studios. The album was called 'Shining', and was released in October '76. Within one month it had gone gold. That same year she was crowned TV Week Queen of Pop for the first time. In September she released her biggest selling single to date, "I Just Don't Know What To Do With Myself", which stayed in the charts for an amazing twenty one weeks.
Marcia's next national tour came early in 1977. It was promoted as her Shining Over Australia Tour. It was so successful that an 'encore' tour was scheduled for March '77, covering twenty eight additional venues. At this stage, her basic backing unit (which was supplemented by other musicians) consisted of fiance Mark Kennedy (drums); Jackie Orszackky (bass guitar, musical direction); Stephen Howsden (guitar); and Warren Ford (keyboards). In the meantime, sales of the 'Shining' album were still rising and by the end of March '77, they had topped the 150,000 mark (triple platinum status).
Then, in April, Marcia spent most of her time in the studios recording her third album. It was a slightly more mellow record although it did reflect her diversified vocal ability. The album was called 'Ladies And Gentlemen . . . Marcia Hines'. Amazingly it went gold only two hours after it was shipped to two states. By the end of 1977 it had sold over 50,000 copies. Pre-empting the album was a single from it entitled "What I Did For Love". The song was from the stage show, A Chorus Line, and entered the charts at the end of July. At the same time Marcia embarked on her biggest tour ever, which spanned one hundred and thirty days and included eighty six shows. It also covered both South East and Far East Asia.
7" Single
To top off 1977 she was again crowned TV Week Queen of Pop and another single from her album, 'You', was released in October. At the end of the year, Marcia recorded a Christmas special for the ABC network.
With only three years' recording behind her, Marcia had become Australia's biggest selling, locally recorded female artist ever.
In 1982 Marcia toured with Jon English in "Jokers and Queens", releasing an album of the same name.  Soon after Marcia put her solo career on hold to concentrate on being a mum.
Marcia released her biography in 2001 entitled "Diva", alongside a greatest hits album. Since 2003, Marcia has appeared as a permanent judge on ‘Australian Idol’.
She was inducted into the ‘ARIA Hall of Fame’, and in 2009 received an ‘AM’ in the Australia Day Honours for her services to the entertainment industry and the community, through a range of charitable organisations.
Marcia continues her hectic performance schedule, touring nationally with Simply Red, as well as hosting a series on Foxtel’s Lifestyle network entitled "Sweet Talk". [extracts from colemangreig.com and Noel McGrath's Australian Encyclopedia of Rock, Outback Press. 1978. p143-144]
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This post consists of FLACs taken from my vinyl copy, which I only acquired recently. Full album artwork is included along with label scans. Not a well known release, this mini LP is a great snapshot of two of Australia's best loved and talented vocalists dueting alongside the cream of Australian musicians playing at that time.
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Track Listing
01 - Jokers and Queens
02 - Ain't Gonna Run
03 - Heard it Through the Grapevine
04 - This Time
05 - You Were on My Mind
06 - Lovin' Feeling (Live)

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Backing Musicians:
Guitar - John Dallimore, Ross East, Keith Kerwin
Bass - John Coker, Bruno Distanislo
Keyboards - Charlie Hull, Peter Deacon, Steve Ball
Drums - Greg Henson, Hamish Stuart, Sunil De Silva.

New Improved Rip

Jokers and Queens FLACs Link  (150Mb) New Link 12/05/2018
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Saturday, September 5, 2015

Marcia Hines - Live Across Australia (1977)

(Australian 1970 - Present)
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Review by Glenn Cizano

Marcia Hines is the hardest musical act to review in Australia. She is so nice. She works so hard. Everyone loves her. (There is even nearly five minutes of applause on Side 4 of this album to prove how much everyone loves her). But underneath all the adulation lies the unspoken question: "How good is she really?' And everyone knows the answer is; "Not as good as we like to pretend."

And the damn trouble is that she is good. Just not that good. Shit, not even Aretha is that good. Anyhow, you can hear exactly how good (warts and all) on this live double album. All the hits are here. What is missing is maybe a good reason for releasing the record. Like there is this audience participation bit on "I've Got The Music In Me" that is Pittsville. Either the audience didn't respond ("We love you Adelaide!") beyond clapping, or else the recording didn't capture it. In either case the attempt should never had made the record. And then we have at least one song per side that is "black" which would be all right except that "black" material is generally speaking, Marcia Hines' weakest point. Like Etla Fitzgerald, this lady is primarily a pop singer, not a soul singer. Even though she does a fantastic job with "More Than You'll Ever Know", a blue soul-jerker by grey brother Al Kooper.

The best moments are the hits — but we knew that already. The best track overall however, is probably the bonus studio track "Music Is My Life". The fact is, she sounds better in a studio Which is strange, because she is quite a performer in person. Live, her movement rivets attention. But on this album she sounds, if anything, cooler than we are used to hearing her. That could be because of the arrangements. Jackie Orzaczky's idea of a good arrangement is pedestrian — or so it seems here. If you have to make the orchestra come on like the Brian May Showband in order to keep attention on the singer there is something wrong. But at other times Hines has to yell to be heard, and she is given no space to be subtle and damn little sympathetic backing compared to what she gets in the studio. There doesn't seem to be much here to feed on, or interact with, musically speaking. And this means that she has to produce the excitement on her own, which is no good for a singer. If you have to do it all yourself you run the risk of ending up like Tony Bennett or Peggy Lee, both of whom are marvelous musos who pack all the punch of an apricot yoghurt.

This woman could be a really important pop singer. She hits hard with what she does. She phrases great. She understands, the music in what she has to sing. Look, she even has a trunkload of boss material. Robie G. Porter alone could keep her in velvet for the rest of her days, arid that doesn't count the ear (Hers? Porters?) that finds just the right songs from musicals and so on.
So why isn't she better right now? The album has some answers. On Side 1, she introduces "Maybe It's Time To Start Calling for Love" as a brand new song. The tune is her meat: it is sensitive, melodic, haunting. But she gives it a banal, superficial run-through. Maybe she hadn't had the time. I can't imagine that she still does the song in such a perfunctory way, if she still does it. By now she should have got inside it the way she got inside Shining and the rest. What I am saying is that the lady needs time right now even more than she needs her fans love.
She needs time to learn to curb that blitzkreig attack on songs like "Love Is Blue" and "Jumpin' Jack Flash". Going too far too fast is a cliche fault with pop singers, but overcoming it is what seems to eventually separate the stayers from those that don't last the course. But all her biggies sound good even in watered-down versions, and there's one other thing that to me, is the most exciting thing on both records.

That is the way she does "Do You Know What It Means To Miss New Orleans? She does it bloody well. This is one of those simple songs people dug before the revolution, and it takes a lot of gentle hard work to make-it into anything personal. Most singers don't have the patience or maybe the sensitivity to do songs like this very well and the fact that she does (and she has been doing it for some time) suggests both that she is going to become tremendous as she goes on, and that when the time comes to put her in the plush nightclubs-where-you-pay-a-lot-of-money-just-to-sit-down she'll fit like a hand in a glove. A bit of a warning here, 'this song probably has the worst arrangement on the album, rising to cyclone level before it is through, and full of 50's brasnicks.
Don't get me wrong - this is a good album. It might do for a "greatest hits" stand-in. But really, the only reason it exists is so that people can have a souvenir of the tour and like that funny paperweight you brought home last summer, it probably won't be long before 'Live Across Australia' is gathering dust in a corner somewhere  [Review from RAM Magazine, 'Vinylising', June 30, 1978. p26]

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This post consists of FLACs ripped from my double vinyl set that I purchased when Marcia was high in the Australian charts. In fact, I'm pretty sure I bought it at Readings Records in one of their stores located at La Trobe University were I was studying at the time.  Amazing what you can remember sometimes!  Full album artwork along with a restitched gatefold and label scans are included. A scan of the original RAM review article is also included along with select photos of Marcia.
Please note that I took the liberty of editing out some of the applause on various tracks, as it becomes rather tiresome after awhile and in my opinion, detracts the listener from the music. 

Track Listing
LP1
01 - I Just Don't Know What To Do With Myself

02 - Once We Get Started
03 - You

04 - Maybe It's Time To Start Calling It Love
05 - Imagination
06 - Shining

07 - I Don't Know How To Love Him
08 - Whatever Goes Around
09 - Love Is Blue
10 - Do You Know What It Means To Miss New Orleans
11 - Fire And Rain
LP2
01 - Trilogy
02 - More Than You'll Ever Know
03 - Empty
04 - Jumpin' Jack Flash
05 - What I Did For Love

06 - Believe In Me
07 - I've Got The Music In Me
08 - From The Inside
09 - Music Is My Life (Studio Track)

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Marcia Hines FLACs LP1 (292Mb) New Link 25/12/2023
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Marcia Hines FLACs LP2 (319Mb) New Link 29/01/2017
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Saturday, July 25, 2015

Marcia Hines - Ooh Child (1979)

(Australian 1970 - Present).

Marcia Hines was born in Boston, USA on July 20, 1953. As a small child she began singing at church. She made her first solo appearance at the age of nine at a church festival. Three years later, Marcia had started singing with rhythm and blues groups around Boston at dances and church socials.
Her big break came while she was still only sixteen when she was flown to Sydney after signing with Harry M. Miller to appear in the first Australian production of Hair. She toured with the show. The quality of her performance led to her winning the role of Mary Magdalene in Miller's production of Jesus Christ Superstar. By now Marcia had won herself a reputation for her professionalism. After Superstar came an offer to tour with the Daly-Wilson Big Band. The tour even included performances in the Soviet Union.

Marcia's recording career started with the signing of a recording contract with the Wizard label early in July 1974. Her first single, "Fire And Rain", was released in March 1975. It zoomed into the top ten two months later. The follow-up single, "From The Inside"/"Jumpin' Jack Flash", was released in conjunction with her debut album, Marcia Shines, in October '75. The album was an instant success and within one week it had sold 7,000 copies. Over the next eight months it topped the 50,000 sales mark.

In February 1976, she toured with Gene Pitney. Then, in May, came her third single, "Don't Let The Grass Grow"/"You Gotta Let Go", which didn't make the charts. Hot on the heels of her first successful album, Marcia left for Los Angeles midway through 1976 to record her second at the Arbee Studios. The album was called 'Shining', and was released in October '76. Within one month it had gone gold. That same year she was crowned TV Week Queen of Pop for the first time. In September she released her biggest selling single to date, "I Just Don't Know What To Do With Myself", which stayed in the charts for an amazing twenty one weeks.
Marcia's next national tour came early in 1977. It was promoted as her Shining Over Australia Tour. It was so successful that an 'encore' tour was scheduled for March '77, covering twenty eight additional venues. At this stage, her basic backing unit (which was supplemented by other musicians) consisted of fiance Mark Kennedy (drums); Jackie Orszaczky (bass guitar, musical direction); Stephen Howsden (guitar); and Warren Ford (keyboards). In the meantime, sales of the Shining album were still rising and by the end of March '77, they had topped the 150,000 mark (triple platinum status).

Then, in April, Marcia spent most of her time in the studios recording her third album. It was a slightly more mellow record although it did reflect her diversified vocal ability. The album was called 'Ladies And Gentlemen . . . Marcia Hines'. Amazingly it went gold only two hours after it was shipped to two states. By the end of 1977 it had sold over 50,000 copies. Pre-empting the album was a single from it entitled "What I Did For Love". The song was from the stage show, A Chorus Line, and entered the charts at the end of July. At the same time Marcia embarked on her biggest tour ever, which spanned one hundred and thirty days and included eighty six shows. It also covered both South East and Far East Asia.

Marcia on Countdown 1979
To top off 1977 she was again crowned TV Week Queen of Pop and another single from her album, 'You', was released in October. At the end of the year, Marcia recorded a Christmas special for the ABC network. Her plans for 1978 included more TV specials for the ABC and the possibility of a trip to the USA and Europe early in the year.
With only three years' recording behind her, Marcia has become probably Australia's biggest selling, locally recorded female artist ever. Quite an achievement!
About the greatest recognition a female vocalist can get in Australia is to be voted Queen of Pop at the TV Week King of Pop Awards. Marcia was crowned in October '78 for the third time in a row — a feat which has been equaled by only one other female artist, the first Queen of Pop, Allison Durbin.

Marcia's 1977 number one single, "You", continued in the charts for the first two and a half months of 1978. In February, she released a new album, Marcia Hines Live Across Australia, recorded during her international tour in '77. Thanks to her producer, Robie Porter, the result was a studio-class sound; by April it was declared double platinum (over 100,000 copies sold). A single from it, "Music Is My Life", provided Marcia with her seventh national hit. It was followed by 'Imagination', another track from the live album (released mid '78), and in December by a special single featuring "Let The Music Play" and "Empty", issued on brown vinyl and sporting a picture cover.

Marcia entered television during 1978 with her own ABC network series, Marcia Hines Music. The show was so successful that she was signed to do a second series for early in 1979.
Marcia also returned briefly in autumn '78 to her role as Mary Magdalene in the revival for the Sydney club circuit of Jesus Christ Superstar, but missed some performances due to throat and respiratory ailments. In September, she contracted bronchial pneumonia, but fortunately recuperated in time to set off with manager, Peter Rix, on a promotional trip of the US, Canada and Europe. She also completed a tour of the Far East.

Marcia on Countdown with Molly Meldrum
 It was an important year for establishing herself as an international artist. She signed a big UK-based recording deal with the new Logo label and "You" was released throughout Europe (with the exception of England where other tracks were being considered).
She recorded her next studio album 'Ooh Child' early in 1979 for release midway through the year, and consequently undertook a 63 date national tour from April through to July, to promote her first soul/funk album. [extract from Noel McGraths Australian Encyclopedia of Rock, Outback Press, 1978 p143-145; 1978-79 Yearbook p24-25]

Marcia stopped recording in the early 1980s until she returned with 'Right Here and Now' in 1994, the same year she became an Australian citizen. "What a Feeling" was released in 1999 and is a single taken from the album 'Time of Our Lives' it made it to #66 here in Australia and #23 in New Zealand.


The success continued into the millennium with the Australian Olympic Team choosing Marcia's new single "Rise" as their official team song. "I am incredibly honored and inspired that 'Rise' has been chosen by the athletes as the official Australian Olympic Team Song," Marcia says. "The athletes are the true heroes of the Olympic Games and I hope this song promotes inspiration and success for our elite athletes during the Games."

She was the subject of the 2001 biography 'Diva: the life of Marcia Hines' which coincided with the release of the compilation album, 'Diva'. Commencing in  2003, she was a judge on the TV music talent show Australian Idol, and her elevated profile led to a renewed interest in her as a performer. Her 2006 album, 'Discotheque', peaked at #6 on the Australian Recording Industry Association (ARIA) albums chart.


Marcia is the mother of singer Deni Hines, with whom she performed on the duet single "Stomp!" (2006). She now lives near Newcastle, New South Wales with Christopher Morrissey, her husband since 2005. Her status in the Australian music industry was recognised when she was inducted into the ARIA Hall of Fame on 18 July 2007

Maybe you could call Marcia Hines a survivor but it's more a case of just being - being your best at all times. Whether it is taking center stage at the Fox Studios Australia Opening, the Stadium Australian Opening or her sell-out concert tours throughout Australia and New Zealand, there is no doubt that Marcia Hines will continue to remain at the peak of her recording and performing career rewarding old fans and embracing new ones. [extract from the Australian Jazz Agency]
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I've always thought very highly of Marcia Hines during her career as a singer, a T.V personality and ambassador of Australia. She is such a genuine person and has been a wonderful mentor for many other Australian Musicians. As she sang back in the early 70's "Music Is My Life" and it has been this philosophy that has made her such a success story. For your enjoyment, I am posting one of her lesser known albums 'Ooh Child' which was her first overseas recordings, and features some famous international artists such as Lee Ritenour (guitar), Mike Pocaro (Bass) and David Hungate (Bass).

This post consists of both FLACs ripped from vinyl and includes full album artwork along with 'Miracle' label scans.  The album was also released in the states by Logo records using a different cover (see above).
The album has a strong Soul / Funk feel to it and demonstrates the amazing versatility in Marcia's voice.  The only oddity on the album is her cover of Dragon's "April Sun In Cuba" which she combines in a medley with the Drifter's "Save The Last Dance For Me". What the two songs have in common escapes me and the pairing doesn't really work in my opinion.
Otherwise, this is an enjoyable album that should not be overlooked. Enjoy.

Track Listing
01 - Ooh Child    
02 - Something's Missing (In My Life)

03 - You're So Good    
04 - Moments    
05 - I Wanna Make It With You Tonight    
06 - Dance You Fool, Dance    
07 - April Sun In Cuba / Save The Last Dance For Me    
08 - Where Did We Go Wrong    
09 - Let The Music Play

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Musicians:
Bass : Mike Porcaro & David Hungate
Guitar Solos : Lee Ritenour
Guitars : Lee Ritenour, Tim May, Fred Tackett, Rick Springfield, Bob Mack & Paul Sabu
Drums : Willie Ornelas & Ed Greene Keyboards : Jaï Winding, Al Camps & Terry Young
Marimba / Vibes : Julius Wechter
Rhythm Percussion : Robie G. Porter, Steve Forman, Bob Conti & Carl Friberg
Synthesizer Program : Jan Lucas
Strings led by Sid Sharp

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Ooh Child FLACs (244Mb) New Link 09/07/2019


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