Showing posts with label Sid Rumpo. Show all posts
Showing posts with label Sid Rumpo. Show all posts

Tuesday, March 28, 2023

REPOST: Various Artists - Garrison: The Final Blow Unit 1 & 2 (1973)

(Various Australian Artists 1973)
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The Garrison discotheque was a small two-storey building sandwiched between a chemist shop and a billiard parlour in High Street, Prahran (Melbourne). Thursday to Sunday nights it rocked through the early hours of the morning to the sounds of the best rock bands in Australia. Against strong opposition, the local council forced its closure in June 1973. 

Two albums were recorded over Garrison's last five nights - Wednesday 6th to Sunday 10th of June. The three groups featured on Unit (volume) 1 are "Ray Brown's One Ton Gypsy", "Madder Lake", and the group "Friends," who would later be known as "Ayers Rock". Friends contributed two songs, an early version of "Lady Montego" (as featured on Big Red Rock) and "Freedom Train", with it's incredibly long break / solo by drummer Mark Kennedy. "Boy You Shot Me Down" by Ray Brown is also worth a listen. Unit (volume) 2 is worth grabbing for the collection, but Unit 1 is the better complilation.
 
This four-piece version of Friends only lasted until the middle of the year. In early June 1973 they were one of the groups that played at the closing nights of the Garrison venue in Melbourne and the group folded soon after the Garrison farewell, with Burton Kennedy and McGuire all leaving to form their eponymous trio, which evolved into the original lineup of Ayers Rock, who re-recorded "Lady Montego" on their debut album.
This is a unique, live Australian rock'n'roll album that is certain to stand the test of time. Garrison has gone but because of this album the music will last forever - we had the final blow.

I've split the downloads into two (in case you already have one of the units), rips were taken from my recently acquired vinyl (thanks to market seller John Tait) in glorious FLAC format and includes full album artwork (sourced from Midoztouch with thanks) and label scans.
                                     **  NEW FLAC FORMAT **

Track Listing
Unit 1
01 - Madder Lake - Bumper Bar Song
02 - Madder Lake - When Is A Mouse
03 - Madder Lake - Rodney's Birthday
04 - Ray Brown - Covered Wagon
05 - Friends - Lady Montego
06 - Friends - Freedom Train
07 - Ray Brown 's One Ton Gypsy - Boy You Shot Me Down

Garrison Unit 1 Link (254Mb)  New Link 28/03/2023


Track Listing
Unit 2
01 - Chain With Matt Taylor - Grab A Snatch And Hold It
02 - Sid Rumpo - Now I`m Free
03 - Sid Rumpo - Forty Days And Forty Nights
04 - Dutch Tilders - Sweet Marie
05 - Chain - Do What You Wanna Do
06 - Matt Taylor - Roberta
07 - Alta Mira - My Soul`s On Fire


Garrison Unit 2 Link (268Mb) New Link 28/03/2023

Wednesday, October 20, 2021

REPOST: Various Artists - Sunbury '74 (Parts 1 & 2)

(Various Australian Artists 1974)
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The 70's was a period in Australian Rock Music when the industry showcased its very best at the annual Sunbury music festival. On each Australia day weekend from 1972-1975, 35,000 plus people would travel to a picturesque site 30 minutes from Melbourne, in anticipation of witnessing some of the greatest performance of our own rock bands. For those who attended it was an event not to be missed and still considered today to be the most successful rock music festival of its kind held in Australia.
The Sunbury Music Festivals were organised by a group named Odessa Promotions, said to be members of the Melbourne TV Industry. The principal of the company was John Fowler, and it’s said that the company included people who had previously worked on shows such as Uptight, a pop TV show of the late ‘60s. The company went into liquidation after the final concert of ‘75, which was a financial disaster compared to the previous festivals.

There’s just as much mythology about the spirit of the Sunbury Music Festival, with some regarding it as Australia’s Woodstock, a keypoint in more innocent times that embraced peace and a laid back life, while others saw the Sunbury festivals as an event that mirrored the decline of that flowery period with some suggesting that the festivals steadily became a beer-soaked yob fest.
While the Sunbury Music Festivals did much for the Aussie music scene, featuring an all-Australian line-up in ‘72’s first festival, it also attracted well-known acts from overseas in the later festivals with British bands Queen appearing in ‘74 and Deep Purple taking the stage in the festival of ‘75.
John Fowler's Odessa Promotions flexed their muscles for Sunbury '74. But getting Daddy Cool to reform wasn't enough. They decided to impose their first 'international' act on the festival.    So far, Sunbury had been a celebration of Australian music. Their international guests were unproven and no one had heard of Queen. They were just two albums old and yet to make any significant name for themselves. Where Queen were treated like. . kings...down to being chauffeured to the site, the Australians of course made their own way. (Nothing's changed of course. Ask the Australians who were forced to appear for free at Rumba recently). The rest of the Sunbury '74 performers resented Queen being there, resented everything their presence represented. The audience also resented the English band being there. For them, the Australian music was more than enough. Making things just a little worse, there was a mix-up over daylight savings. Queen had been booked to appear an hour before they expected. They made everyone wait until the sun went down. Queen didn't do themselves any favours, but they were SO unknown, and SO insignificant no-one held it against them later. Only for Queen was it a day they would never forget.
When Queen took to the stage, the band was largely unknown at that time on Australian shores and they were unfortunately heckled from the stage following their performance, allegedly after the announcer of that year’s festival asked the audience, “D'you want anymore from these pommie bastards or do ya want an Aussie rock band?”


 
Before leaving the stage to jeers that labelled them “pooftahs” who should go back to Pommyland, Freddy Mercury, Queen’s iconic front man (who was nonetheless fond of bottoms) boldly and bravely fired a parting shot back at the audience. He declared that when his band Queen would next visit Australia, they would be the biggest band in the world. And true to his word when they returned to our shores in ‘76, QUEEN were indeed one of the most globally acclaimed bands.
[extracts from onlymelbourne.com.au]

 
The following is an account of the Sunbury '74 concert through the eyes of one of the festival's compares (and a well known celebrity from the Countdown era) - none other than Ian 'Molly' Meldrum. Reporting in his regular weekly column 'Ian Meldrums Keyhole News' (GoSet magazine, Feb 9,1974. p10), Molly gives us a wonderful run down of each band who played over the three days, and helps capture some of the excitement that occurred at what some people consider to be the best Sunbury of all. For more information about the Sunbury festival, see Milesago.com.

 

SUNBURY BLOODY SUNBURY …POP ORGY…well, that was the headline in one of Melbourne’s better known Sunday papers…their editorial went on to describe how Sunbury became Sin City…of how sex, violence, drugs, and beer-swilling teenagers turned the festival into an orgy.  Wow, SUNBURY ’74 must have been sensational…I wish I’d been there…the funny thing is that I was there for the whole 3½ days and apart from a few isolated incidents involving some yahoo’s, no way known could you describe Sunbury as a violent festival…and as for the open use of drugs, well the drug squad who were there in full force must have been blind-folded because they only made a couple of arrests…thousands of contraceptives sold??...strange that the Chemists report that they only sold about a dozen. 
In other words, WHAT A LOAD OF BULL!...in fact, I would go as far as to say that Sunbury’74 was one of the most peaceful and most organised festivals you could ever hope for…Nude Bathing?...Well, why not?...I mean, who cares?...we have, thank you, grown up at least that much…and let’s face it, it’s papers like this Sunday rag that have made us immune to it all…they thrive on the Tits and teeth bit…unfortunately the thing they forgot to mention was the great line up of talent that kept us entertained over the three days…unfortunately this column is too short to give mention to everyone…but believe me, in one way or another, all deserve a pat on the back…my fear that this year’s Sunbury would be dreary and boring like Sunbury ’73, was completely unfounded…


Friday Night and Sherbet Slayed ‘em
Friday Night…a beautiful clear sky and the satellite city is already in full swing…and wouldn’t you know once again I opened my big trap once too often RE: SHERBET…I did say a couple of weeks back in the column that I couldn’t understand why the group was performing on the first night when most of the audience would be still hitching up their tents etc etc…Wrong…the audience hill was packed and I must say that Sherbet were magnificent…but the guys should give thanks to PIRANA, ROSS RYAN and BAND OF LIGHT who were on before them because they really put the audience in a great mood…PIRANA played a beautiful set and it’s hard to believe that they are not a bigger name in this country because they deserve to be…ROSS RYAN was good but Ross’s outstanding performance was to come on Sunday…BAND OF LIGHT were, I thought, tremendous… surely they are destined to do big things on the Australian music scene this year…and then there was SHERBET… what a performance!...it was their first ever Sunbury and let me tell you right here and now that they made up for the previous two years when they were unable to appear…For months I’ve been raving about their stage act and musical talents but every time I see them they just never cease to amaze me…I’ll go as far as to say that they have probably one of the finest stage acts in the world…and I’m sure the likes of Bowie, Rod Stewart and Elton John, if they were ever given the chance to see them, would agree with me…need I say that Sunbury loved them…it should, in SHERBET’S book, go down as one of the highlights in their already dazzling career…because Sunbury is a fest and in my book, and they may disagree because I believe they weren’t happy with their performance, they get 10 out of 10

To finish off Friday night, HOME, one of Australia’s up and coming groups put the final seal to the night’s superb display of entertainment.


Hot Saturday
Saturday was HOT, really, really HOT…and the drink and watermelon stores were doing great business…sure, people drank booze and happily I report that gone from the festival were the dozens and dozens of kids that were there last year staggering around till the early hours of the morning…by mid-afternoon temperatures had soared to 35 but this didn’t put a downer on UPP’s energy…here is another group that’s full of visual excitement…sure, they’ve got a long way to go but I have every confidence that over the next six or seven months they will build up the following they need and they’ll be up there with the best of them…next on were the 69’ers and as usual they provided the laughs for the day…they really are an incredibly funny group and I hope that they never lose their sense of humour…like last year, they more than wowed the crowd…and to finish off their set they had an all-out cream cake fight…as compare, they were the first act that I had to bring off stage and I’m sure you will agree that it was rather fitting that I ended up with a complete sponge-cake and cream all over my face.  SKYHOOKS were the next on and unfortunately I feel that this group needed a night-time spot when they could make full use of the lights…because they are as much into theatre as they are into music….but one thing’s for sure, watch out for the name SKYHOOKS…they’ve arrived

and they’ll be here for quite a while…SID RUMPO proved to all and sundry what fine musicians they are and after their performance I eagerly await their forthcoming album…MATT TAYLOR was on next doing his solo bit…and what can I say about MATT?... he defies all convention of a ’74 pop star… I mean, name one other pop star who gets out on stage, sits down, and says to 30,000 people, Gidday…but you can’t help but love his music…and as usual, in his own peculiar way, he got the audience going… MATT was rewarded with a fine ovation and an encore…but Matt had a surprise in store for them the following day…DINGOES were next on and boy, can they rock and roll…I absolutely love this group and obviously with the response they got, so did the Sunbury crowd…but the one thing that I feel is missing is visual projection from lead singer, BRODERICK SMITH…he possesses an incredible voice…he looks good, but for some reason he fails to project….there’s an old say Brod, If Ya Got It, Flaunt It, so Start Flaunting!  Next on were CHAIN…and has this group got themselves together up in Brisbane…all the reports and fears that the group would break up were dispelled five minutes after they started playing on stage…we all know what a fine group of musicians there are but now with the added confidence that the Australian public really do appreciate them, this group has really come alive…fortunately or unfortunately for Barry Harvey, they don’t miss him as a drummer at all…the group is tight as I’ve ever seen them…why even Phil’s developed a personality…it was a brilliant musical set and it put the crowd into a great mood for what was to come.

And what was to come was four hours of sheer musical entertainment…the BALLS hit the stage with LOBBY not far behind…and did that audience develop balls!..Wow!...sure, the skinheads and the tattoo freaks love them, but so did everyone else…and I think it would be fair enough to say that the group put on their best performance ever…and LOBBY, me boy, there’s no denying it, you’re every bit a Pop Star…and what a great sight it is to see 30,000 people cheering and yelling and rocking their hearts out…ooooh, it sends shivers up me spine…and thumbs up (in the rude sense) to all those self-appointed critics who have written in to the paper over the past few months criticising this group and labelling them boring…cause when 30,000 get their rocks off on Ballpower, they must have something…next on was a surprise…it was the LA DE DAS and I thought they were bloody fantastic…it would be hard for any group to follow LOBBY successfully but the LA DE DAS did it and did it in fine style…it’s amazing the sound that can be created by just three musicians…and watch out girls because lead singer KEVIN BORICH is about to become a sex symbol…a job well done LA DE’s…

Go Set Magazine Article

Billy’s Not Over The Hill – A Rainbow Fixed That
 Next was one of the two Sunbury miracles…I must admit I felt like an ant walking out on stage with all these towers of equipment surrounding me…it looked as if we were about to restage the Commonwealth Games…but Aztec energy was about to be let loose…just before I made the announcemen I asked BILLY if the group would be wanting to do an encore…and he replied, Don’t Ask Me Man, You’ll Know From The Reaction Of The Audience…and I must confess that I thought, God, I hope last year’s no indication of audience reaction…’cause in ’73 an encore they did not want…Sunbury ’74 was possibly the greatest test this group had to go through, and I mean the Greatest…and BILLY knew it…gone is the denim and replacing it it are the superb tailor-made velvet and leather jackets etc…the next hour was one of the most amazing sights I’ve ever witnessed since I’ve been connected with pop scene…the AZTECS didn’t Wow the audience…they destroyed them!...BILLY had them literally eating out of his hands…you know, words can’t describe what happened…they did new songs, they did old songs…and ten minutes into their set BILLY was wearing the biggest smile you could imagine…he knew he had them back…one song, what was it?...you can’t go round saying What on stage??....F*CK I think…front of stage in the press and group arena it was packed…the COLOURED BALLS were down there, the DINGOES…you name them, they were there, all clapping and cheering…and the audience of 30,000 up on the hill with their arms above their heads, the bare-breasted ladies up on guy’s shoulders weaving and rocking, the Excitement…it was really Too Much…and what about when part of the audience  started chanting the AZTEC “Suck More P…” slogan…a saying that derived from their days at the Whitehorse Hotel…it spread through the audience like wildfire and BILLY said “Keep it up, Keep it up”…and then he and the group wrote a song, there on stage about suck more p…
I firmly believe that audience was ready to do anything for BILLY at that stage…after a couple more numbers like Oop Poo Pah Doo, BILLY announced that he was going to do a number that we’d either hate or love…”Here’s One For The Knockers”, he said…and, my God, he did a song that he made a hit eight years ago, ‘Over The Rainbow’…we all looked at each other in disbelief, but it was sounding great!...and on his alone THORPIE can take the title of Australia’s Top Superstar, because that he is…well, the audience just went beserk after that and they just continued to scream and yell, clap and shout and rock and roll…they finally walked off stage and I passed BILLY and I almost felt tempted to say, well it doesn’t look as if you’re going to do an encore…but I didn’t exactly want to wear a guitar at that stage…and the crowd was just screaming for more, and I do mean screaming…in the middle of my Do Ya Wanna Hear More, my voice suddenly cracked in the excitement and like, for the next two days they had to put up with a rather croaky demented Meldrum…there was no doubt that AZTEC energy was back!
What a hard job for ARIEL to follow this…but like the LA DE DAS with LOBBY, ARIEL did a grand job…all the work and effort that’s been put into their visual stage act is really starting to pay off though I must admit that the big explosion on stage that they created fair frightened the daylights out of me…they performed A Strange Fantastic Dream and is it any wonder that the album is selling so well?...what a shame the group, due to an energy crisis in England, are unable to go there in March because at this stage they are very together…obviously the gigs that they have done supporting overseas bands have helped instill a lot of confidence performance-wise into the group…musically you cannot fault them…visually they are progressing in leaps and bounds…MISSISSIPPI were the next on and this group possesses a brilliant range of harmonies…they lack the visual side but they make up for it with their voices and playing…I’m sure everyone out there agreed that they’re really nice to listen to.



Sunday – Madder Seals Crown
Sunday was just as hot and the St.Johns ambulance brigade were working overtime treating people for cut feet, heat exhaustion and other minor injuries…what would a festival like this be without them?...I shudder to think…GLENN CARDIER played a beautiful set that afternoon and it’s easy to see why he was given a Commonwealth Grant…he may not be everyone’s cup of tea but with that selected audience he really does entertain…RICHARD CLAPTON is another who performed that day and although he was very nervous, he proved what a talent he has, both as a singer and as a songwriter…CAPTAIN MATCHBOX were very entertaining…like SKYHOOKS, they are more a theatrical group and it’s good to see that the Australian music scene has now found a place for this type of group…one highlight of that afternoon had to be KUSH and LINDA GEORGE…KUSH are a brilliant brass-orientated group and with JEFF up front camping his way through song after song, ’74 should see this group emerge as a top seller on the record market…LINDA GEORGE was superb…she’s undoubtedly one of Australia’s finest female singers and you can see her confidence growing day by day (an unintentional pun!)…It’s also good to see that Sunbury has come of age and is able to present artists of her caliber on such a festival…there were some fine vocal backings also by the COOKIES…

Matt Taylor
Next on were the DINGOES who gave another fine rock and roll performance…another appearance by MISSISSIPPI and then MATT TAYLOR hit the stage with a rock group backing him…and what emerged was the MATT of old, the MATT TAYLOR that we once knew as lead singer of CHAIN…he really got that audience jumping and in so many ways I strongly feel that MATT should perform with a rock group more often…and what a gas to hear him sing once again “Grab A Snatch And Hold It”…it was yet another great performance by MATT and the audience fully appreciated it…and then came the big wait…for the appearance of QUEEN…apparently there were a lot of hassles with setting up the equipment etc. and I am not going to attempt to go into who was right and who was wrong…but one thing I will say…I don’t think any group should be subjected to the insulting remarks that were made on stage prior to them going on…after all, they were asked to come here and they wanted to give the best performance they could give…the remarks made by this certain person who, I might add, was not one of the comperes, were unfair and totally unjustified… and worse still, it put a downer on the whole audience…QUEEN finally hit the stage,  with all the odds stacked against them…no, they didn’t receive the greatest applause in the world but with a very tight set, they did swing the audience back and at the end the audience gave them a polite but genuine applause…unfortunately the next day they could not appear because their lead singer was legitimately ill…perhaps a few people will have to eat their words over the next year if QUEEN make the top ranks on the international scene.

Queen at Sunbury
The saving grace of the night was the next act that was on…it was MADDER LAKE and they were really fantastic…first they had the hard task of pulling the audience out of their downer…once they achieved that they worked on the audience to bring them to what had to be the all-time high of the day…like the night before with THORPIE, the audience started to dance and wave their hands in the air etc…MADDER LAKE for the first part of their set, performed their new album, ‘Butterfly Farm’ and if you go by the audience reaction they should have no worry about it being a top seller…for the latter part of their show they performed numbers from their ‘Stillpoint’ album as well as their hit singles…and the audience ..well, need I say, just went ape…my only regret was that every programmer from interstate weren’t there to see MADDER LAKE perform…they are without a doubt one of Australia’s unique sounding bands…they are full of originality and are full of entertainment…just ask any one of the 30,000that were at Sunbury.

Queen's Setlist
After MADDER LAKE came JOHN GRAHAM and BLACKSPUR…Now there’s an under rated artist for you…but keep at it JOHN because they’re going to wake up soon…AYERS ROCK then hit the stage and what fine group of musicians they are…and full credit to them for getting the audience rocking and rolling again at 2.30 in the morning…they lack nothing in musicianship whatsoever and perhaps need a front man to give them some visual effect…once this is achieved I would imagine the sky’s the limit…both their performance this night and the following day proved that we have some really top-line Australian musicians…I thought they were great…to finish off the night, well as a matter of fact it was the very early hours of the morning, MACKENZIE THEORY played an amazing set…they really are an unbelievable group…there can be no other group like them I the world…and if they stick together then I’m sure someone from overseas is going to grab them…the worth of this group speaks for itself, but might I add that there were around about 4000 people who stayed up until 4 o’clock in the morning just to listen to this group…the group also played on the second stage and packed it out…
Daddy Who? Daddy Cool (Getting ready to go on stage at Sunbury 74)
Monday – 35C Cool Entertainment
Monday was a very tiring day…it was hot and muggy…once again PIRANA, AYERS ROCK, SID RUMPO and CHAIN entertained the crowd…ROSS RYAN made his second appearance that day and I would imagine it was one of the best performances he’s ever given…ROSS has always been full of confidence and unlike so many artists, he really knows how to work his audience…he has, over the last 12 months, emerged as one of Australia’s top singer –songwriters and his performance that day proved why he has become just that…

One group that emerged on that Monday who were virtually completely unknown before was BUSTER BROWN…they really got the crowd rocking so Watch Out For Them…that’s a definite name to put in your little black book…but Monday really belonged to DADDY COOL…they played as though they’d never ever broken up…and they somehow re-created the excitement of ’71…the crowd just went mad…Absolutely Deliriously Mad…just prior to the group coming on, they adored the stage with three giant Australian flags and during their performance they issued to the audience hundreds of toy flags…the scene was quite unbelievable…the did all their old hits…look, what more can you say…DADDY COOL HAD RETURNED…and so had the excitement…I really believe that they could have played all day and all night and the crowd still would have called for more…it was a great ending to a really successful festival…
I thank all and sundry who organised the festival, especially Odessa Promotions...and Mr. John Fowler…Sunbury ‘74 proved that the Australian music scene id very much alive…but more than that, it proved that Australian artists and musicians are amongst the finest in the world…
Sunbury Pop Orgy???...No!...Sunbury was full of Fun, Music and Entertainment…yes, this year at Sunbury a man died but also for the first time at Sunbury a baby was born… MOLLY xxxxxx

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Now, firstly it should be noted that there are some discrepancies in Molly's account which should be noted. It has been reported (by Milesago.com) that Skyhooks were booed off stage at Sunbury 74 (apparently the audience wasn't really ready for all of the glam and glitter that they brought to the table) and it is because of this that their first lead singer 'Steve Hill' left the band and was replaced by Graham "Shirley" Strahan, and of course the rest was history.  So, I guess Molly forgot to mention this in his report.
Another discrepancy lies with Milesago documenting that Blackfeather performed at Sunbury '74, yet Molly makes no mention of them playing in his extensive account. Likewise, another Sunbury review in GoSet by columnist Mitch entitled 'Front Row Reviews' (Feb 16, 1974) makes no reference to Blackfeather in amongst his listing of bands.  So, unless someone can provide direct proof, I think Milesago has got it wrong.
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One real mystery associated with the recordings released by Mushroom on their Anti RipOff label (see below) is the inclusion of a recording made by an unknown group called 'Full Moon'. There has been much speculation about who they were yet 'Full Moon is absent from any reviews or articles in the GoSet Magazine at that time. There was a UK group with the same name (but are certainly not the same band) based on their style of music.


One hint that might help, is when Molly refers to a 'second stage' when discussing MacKenzie Theory's performance. It is possible that Full Moon may have performed "Freedom Jazz Dance" on this second stage to a smaller crowd, and the recording used to diversify (or fill) the Mushroom release - Part 2.
Apparently, the new concept of a 'second performing stage' was added to the Sunbury festival in 1974 to include "alternative performances such as jazz recitals, theatre, dance, mime, poetry and acoustic music." which seems to fit in with this explanation.
As to the identity of the band Full Moon, ChickaMunro provides us with the only info at hand, on the Midoztouch forum when he reports:  'From the front cover of a promo booklet from Open Sky Productions, who were putting on a gig at the Dallas Brooks Hall, Nov 1975'.
Ayers Rock, Silver Sun, Phil Manning, in concert at The Dallas Brooks Hall
Conceived in our illustrious Gardenvale, Silver Sun makes it's first public appearance tonight.
After months of solid slogging in that fine suburb, the band features John Pugh, a former member of Healing Force and FULL MOON, on lead guitar and vocals. Barry Sullivan,...bass,...Sunil De Silva from Skylight and the Dingoes on drums...Sam McNally...Mal Logan...jazz, soul and blues...funky...Herbie Hancock...Marvin Gaye..."

This has something to do with the whole Healing Force thing - who also had their biggest gig at Sunbury 73, didn't they? Also the Company Caine precursors had Pugh - and so the trail leads all over the place in Melbourne.  Any further information about this mysterious group would be gratefully received !


One final note, before I close this 'rather long post'. Apparently, Sherbet was supposed to have "Hound Dog" included on one of the featured albums but pulled the plug at the last moment for some reason and Thorpie's XXX rated track "You Can't Go Around Saying F*ck On Stage" was pulled by Mushroom in fear of legal repercussions.  In addition, EMI would not allow its acts to appear on these albums, hence the absence of tracks by Ariel, Coloured Balls, Mississippi, Ross Ryan etc..
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This post consists of FLAC rips taken from vinyl, both in excellent condition.  Full album artwork is also included for both vinyl (mine) and CD (thanks to Bondie), a multitude of newspaper articles (from Go Set magazine thanks to RAM) and photos (sourced from The Age archives and anddum.com with gratitude).
Artwork and associated Sunbury literature are also included as a separate download for those you who already have the music, and only want this support material. 

IMPROVED RIP
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Track listing:
(Sunbury '74 - Part 1)
01 - Lizards (Madder Lake)
02 - I'm a Dingo (The Dingoes)
03 - Gonna miss you babe (Chain)
04 - Big Shake and Hi Honey Ho (Daddy Cool)

05 - New Orleans (Billy Thorpe and the Aztecs)
06 - Hey What's the Matter (Skyhooks)
07 - Roll over Beethoven (Buster Brown)
08 - Buster Brown (Buster Brown)
(Sunbury '74 - Part 2)
01 - Payday Again (The Dingoes)
02 - Morning Magic (Ayers Rock)
03 - Supreme Love (Mackenzie Theory)
04 - Love On The Radio (Skyhooks)
05 - We'll Never Do The Same Again (Matt Taylor)
06 - Wang Dang Doodle (Sid Rumpo)
07 - Sweet Home Chicago (Sid Rumpo)
08 - Freedom Jazz Dance (Full Moon)

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Sunbury '74 - Part 1&2 FLAC Link (476Mb) New Link 20/10/21
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Sunbury '74 Artwork and Photos (36Mb)

Saturday, August 14, 2021

REPOST: Sid Rumpo - First Offense (1974) + Bonus Tracks

(Australian Band: 1971-74)

Sid Rumpo was a fairly polished pub-rock band which formed in Perth in 1971 and unfortunately disappeared into the mists of time in 1974. They are probably best remembered as one of a long line of Mick Elliot's bands. Mick is an accomplished blues-rock guitarist that has been around the Aussie blues & rock scene forever (in bands like Levi Smiths Clefs, Jim Keays' Southern Cross, They Accidentally Sued Themselves and Western Flyer), but rarely seemed to stay in a band long enough to record more than one album. 'First Offense' - Sid Rumpo's one and only offence as it turned out - features the twin guitar riffing of Elliot and Rob Searls on some very catchy boogie and blues-rock songs.

While there aren't any jaw-dropping "guitar hero" solos, all the songs pump along with the assistance of some tasty electric piano chops from Ken Wallace over the tight grooves laid down by Noel Herridge on drums and Owen Hughes on bass.
But for me, it's Rob Searls' bluesy vocals that stamp First Offense with it's appealing, distinctive 70's, Aussie Rock sound. I think though, that it's the songs themselves that are the real strength of this album. It is a cohesive album where nothing sounds out of place, and yet might be unpredictable enough in places to interest fans of progressive blues and rock (review courtesy of Midoztouch).

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( 'Spider Curry' with Sid Rumpo Photo Gallery)
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Sadly, Sid Rumpo didn't make another record. Why, is anybody's guess but after this First Offense - maybe Mick Elliot got time off for "good behaviour". He must have done something right, because mint vinyl copies of the album are fetching almost $200 at some online auctions. All the more reason to treasure my own mint copy - Ok, so I've played it a few hundred times but there's not a scratch on it and it still sounds as good as the day I bought it in the mid seventies. My favourite track would have to be 'Sailing' with its up tempo boogie beat, brilliant dueling guitar riffs, and memorizing piano licks by the talented Ken Wallace.  It was their brilliant live rendition of this track at the Sunbury 73 concert that first brought this band to my attention, This is truly a classic Aussie album which belongs in every rock collection.


This rip was taken from a CD pressing in FAC format and includes full album artwork. I have also included some live recordings from Sunbury 73 & 74 and The Garrison 73 plus the B-side single to The Riddle which was not included on the album. Thanks to George (Perth Bands 1960's-70's) for the photo of Sid Rumpo shown below. The CD release was reissued in 2013, however it is no longer available and is currently out of print. 
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Track Listing
01. Spotlight
02. Breaking My Back
03. Spider Curry
04. Sailing
05. The Riddle
06. Don't Bug Me Boogie
07. Song With No Trees
08. Poor Mans Orange
[Bonus Tracks]
09. Wang Dang Doodle (Live Sunbury 74)
10. Sweet Home Chicago (Live Sunbury 74)
11. Sailing (Live at Sunbury 73)
12. Now I'm Free (Live at the Garrison 73)
13. Forty Days and Forty Nights (Live at the Garrison 73)
14. Jump Down, Step Aside (B-Side Single)

Band Members
Rob Searls (Guitar, Vocals)
Mick Elliott (Guitar, Vocals)
Owen Hughes (Bass)
Ken Wallace (Acoustic and Electric Piano, Percussion)
Noel Herridge (Drums, Congos)
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Sid Rumpo Link (477Mb)   New FLAC Rip !


Saturday, March 23, 2013

Various Artists - Sunbury 73

(Various Australian Artists 1973)
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The word 'Sunbury' has etched itself into Australian rock music folklore. Forty years ago it was a farming town just 40 'miles' (70s speak) north of Melbourne, an hour's drive from suburbia into a gently rolling rural landscape. In 1972 and for the three subsequent years, during the late January Australia Day weekend the word 'Sunbury' became associated with a rock music festival on a farm out of the Sunbury township. Today suburbia lurks so close to the Sunbury Pop Festival site if you turned up Billy Thorpe's amp to its obligatory '11' you'd get complaints from the neighbours on the hill. But the site is still there, identified only by the rusted wire fence surrounding the area where the stage stood, and the foundations of the toilet block nearby, in front of Jackson's Creek. Behind the creek a steep incline, in front a gently rising hill, a natural amphitheatre. 

 There had been rock festivals before and there have been rock festivals since. But Sunbury looms large as 'Australia's Woodstock' - erroneously. It could just as easily be called the first 'Big Day Out' -- held during the same weekend. Or a prototype of Meredith. Australia's real 'Woodstock' was held at Ourimbah in NSW on the Australia Day weekend in 1970. During the intervening two years 'the Woodstock nation' had been replaced by another generation of teenagers, another generation of music, another set of values The Beatles had been replaced by Led Zeppelin. But for the media those Woodstock images lingered. That's what they went to Sunbury looking for. That's what they came away with. That's what sticks in people's minds as 'Sunbury'. Those who were there remember the 'bonged out' sitting next to the underage drinkers and bikers collapsed in their own vomit after a night of shouting 'suck more piss' from the hill. The similarity between Sunbury and all festivals is the freedom to be young and free, to the soundtrack of the day's music.

Australian music had shifted dramatically during those two years between 1970 and 1972, between Ourimbah and the year of the first Sunbury in 1972. In 1970 Australian music had struggled to be 'progressive' like the rest of the world. Our record companies weren't interested. Then during the last half of that year a record ban forced the Australian music released by the major record companies off radio airwaves, retiring many of the pop stars of the day. Music fans had to go 'out' to get their music fix. In Melbourne they found Daddy Cool and Spectrum north of the river. Chain and Billy Thorpe's 'new' Aztecs south of the river. In Sydney the music retreated to the Kings Cross nightclubs entertaining servicemen on 'r and r'. The first Sunbury festival tapped into that still very alive thirst for live music. Somehow Australian music had forgotten to look over its shoulders at overseas trends and musicians and their audience were happily following their own path. In January 1972 it led to Sunbury.
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The festival had been organized by an unlikely 'hero', John Fowler, a middle-aged Channel Nine employee. While their children were smoking dope and drinking and dipping nude in Jackson's Creek elder Australians were watching John Fowler lighting the soundstage for their own addiction, 'In Melbourne Tonight'. Fowler and his advisers thought that the popular acts of the day weren't quite enough and for that first Sunbury Festival organised for the return of Max Merritt and the Meteors after just over a year in England. Ever competitive, Billy Thorpe would have made conquering the Sunbury hill his goal anyway. Having old rival Max top of the bill was an added incentive. Billy Thorpe and the Aztecs turned up the volume and made Sunbury 72 theirs'. Within weeks Billy released 'Most People I Know' and later that year a live album of the Aztecs at Sunbury became a national top ten. The only other Australian-made top ten album that year had been Daddy Cool's 'difficult' second album 'Sex Dope And Rock'N'Roll'


Sunbury 73 was set up as the most important event on the Australian music calendar. Clearly. whoever won the hill at Sunbury 73 was set up for the rest of the year. You had to be there.
A lot of people get the four Sunbury's confused. In their minds they've become one. But 1973 was THE one. In bygone years there had been a thing called the Hoadley's Battle Of The Sounds, where the bands of the day allowed themselves to be judged. The winners were kings for the year. Often the losers broke up to think of a way of winning the following year. That was the mood with which Australian music entered Sunbury 73. You had to be there. It was important to make an impression. It was the year the Sydney acts - Sherbet, Country Radio - descended on the festival, and Mississippi performed with a 35-piece orchestra. It was so important to be there, even pre-70s rock legend Johnny O'Keefe came, determined to stay in the game. And Michael Gudinski was there to record it for his just-formed Mushroom Records.
Of course Billy Thorpe was also there, returning just in time to top the bill after trying his luck in the UK. This was our chance to celebrate his return. There was no clear winning at Sunbury '73 but the points decision probably went to Thorpe. There were a lot of winners, a lot of sets went back to the traditional venues and found keen audiences for the rest of the year. [written by Ed Nimmervoli]


While Sunbury '72 was widely touted as the beginning of a new era, Sunbury '73 was the one that consolidated the festival's success. However it also marked a changing of the guard, with a number of notable bands -- Carson, Country Radio, Friends, Healing Force -- all splitting for good in the months following their Sunbury appearances. It was also the final Australian performance by Flying Circus, who had already been in Canada for some time. They returned specially for the festival, but were coolly received, and returned to Canada immediately after Sunbury, where they remained until they split some years later.
The Aztecs headlined again, reprising their huge success of the previous year and Max Merritt & The Meteors again returned from the UK to perform. One of the surprise hits of the festival was rock'n'roll legend Johnny O'Keefe; he was cheekily introduced as a "newcomer" by MC Paul Hogan, but despite an initially derisory reception, he won the crowd over and by the end of his set, as Ian McFarlane notes, he "had the audience of hippies eating out of the palm of his hand".

"Sunbury 1972 was the first, but the 1973 festival is often remembered as the best. It has a place in our music history, just like the vintage clips of the Easybeats performing 'Friday On My Mind' and AC/DC travelling down Melbourne city streets on the back of a tray truck while belting out 'It's A Long Way To The Top'."  - Steve Waldon, The Age


Like Sunbury '72, the performances were taped using a mobile multi-track facility; it is presumed that some film or video footage was made but it is not known how much of that (if any) still exists. The sound recordings were edited to become the inaugural release for the newly established Mushroom Records label, founded by Michael Gudinski and Ray Evans. With commendable hubris, it was the first Australian triple-album set ever released.
The fine performance by Carson (which would prove to be their last major concert appearance) was also released by EMI as the On The AirLP; this has long been out of print but it is scheduled for re-release on CD by Aztec Music. The other major recording culled from the festival was the extended early-morning jam session between The Aztecs, Lobby Loyde's Coloured Balls and Leo De Castro, which was released on the Havoc LP Summer Jam. This has recently been reissued on CD by Aztec Music. [extract from milesago.com]



SUNBURY - THE VENUE
Owned by George Duncan, he generously offered the use of his property at no cost to the organisers, even going so far as allowing toilet facilities and rubbish bins to be installed on the property in later years of the festival. Which really makes sense, considering he’d have had as many as 40,000 people in his “backyard”. You don’t have to be a mathematician to know a crowd like that plus three days of food and booze equals a mess that would make even Keith Moon blush.

With the Duncans’ farmland providing a natural amphitheatre, the scene of the Sunbury festivals has since become an isolated area, far from the bustling hub it was during one of music history’s most famed events. Residential subdivision in the area has since limited public access to the site and redeveloped the landscape.

According to a document on the website of Hume City Council, little remains there now but there are still the remnants of the toilet facilities and bins, along with echoes of the event that linger to this day with “small artifacts such as items of footwear and drink can pull-rings” scattered over the area.
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For more information on the Sunbury 73 concert, refer to the following websites:

hume.vic.gov.au
nla.gov.au
onlymelbourne.com.au
wikipedia.org
theage.com.au
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It was the Sunbury 73 that got me first hooked on 'Aussie Rock'. My brother owned the triple album set originally (having being lucky enough to attend the festival) but I soon managed to talk him into selling it for a bargain basement price.  Being a young teenager at the time, I was listening to overseas artists like Robin Trower, Alice Cooper and Grand Funk Railroad. However, the bands and the infectious aussie rock that they played at this famous festival was the turning point in my life. I suddenly realised that there was 'real talent' in my own back yard.  And I've never looked back.
Bands like Madderlake, Chain, Carson, Blackfeather and the Aztecs have been a huge part of my passion for music and I owe it all to this wonderful recording, released on the legendary Mushroom label (thanks Gudinski)

My only regret is that I was too young to attend the 73 Festival although I did manage to fulfill my long life dream to a point, by attending the 2010 Sunbury Backroad Festival, featuring Madderlake, Spectrum and Chain. See my review
If you haven't heard this Sunbury 73 recording, then you have really missed out on a vital chunk of Aussie Rock. Need I say more?
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The post consists of an MP3 rip (320kps) taken from my cherrished vinyl copy, which is in relatively good condition considering the number of plays it has had. The artwork included (with CD2 and as a separate link) was taken from a CD release that was circulating on the web at one stage (possibiliy C/- of the Midoztouch Forum).
Some choice photos of the venue and crowd are also included.
As a bonus, I have included a recording of Mississippi's "Kings Of The World" which was also recorded at the Sunbury 73 festival but never made it onto the triple set (sourced through YouTube)

Note: There was also a promotional E.P released featuring 6 tracks taken from the triple Sunbury album set and is one of the items on my Holy Grail List of wants. I have yet to see it turn up on ebay, and can only dream of the day when I might find it! (see pictures below bottom)
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Tracklist
CD1
01 Johnny O'Keefe – High Rollin' Man 2:57
02 Friends – Bird On A Wire / La La Song 6:58
03 69ers – Harry Rag 6:58
04 Coloured Balls – Johnny B. Goode 4:51
05 Madder Lake – Down The River / 12lb. Toothbrush 14:40
06 Band Of Light – Messin' With The Kid
07 Aztecs – Going Back Home 13:31
08 Blackfeather – I'm Gonna Love You 9:53
CD2
01 Carson – Friday Night Groove 4:53
02 Mighty Mouse – Sunset Song 10:05
03 Healing Force – Erection 6:47
04 Country Radio – Silver Spurs 4:51
05 Matt Taylor – From Brisbane To Beachworth 8:50
06 Sid Rumpo – Sailing 8:38
07 Mackenzie Theory – New Song And 8:47
08 Glenn Cardier – Australia 2:28
09 Bakery – Living With A Memory 12:12 

10 Mississippi - Kings Of The World BONUS 2:38
 
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Sunbury 1 mp3  Link (156Mb) New Link 20/12/2022

Sunbury 2 mp3 Link (183Mb)

Sunbury Artwork & Photos (20Mb)

Sunbury 1&2 in FLAC (897Mb) New Link 06/09/2024

Tuesday, June 14, 2011

Various Artists - Great Aussie Rock (1975)

(Australian 1973-1975)
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Other than Festival Records, no local company has had such a dramatic impact on Australian popular music as Michael Gudinski's Mushroom label. Although it struggled as a minor player for its first two years, it had a major effect on the direction of Australian music because of the many important acts it signed, and because of its intimate business connections with what became the leading east coast agency, Premier Artists.
Mushroom evolved from Premier's immediate ancestor, Consolidated Rock, which was formed by Michael Gudinski and Ray Evans in 1971.
The fledgling label's inaugural release in February 1973 was Madder Lake's Goodbye Lollipop. The inaugural album release, issued in April 1975, was typically ambitious -- a triple album compilation of live tracks from the previous January's Sunbury Festival. The first year of Musroom's output reflected the diverse rage bands Gudinski and Evans had signed -- Madder Lake, Friends, Bobby James Syndicate, Chain, Matt Taylor, Ray Brown's One Ton Gypsy, Ayers Rock, The Dingoes, Sid Rumpo, Buster Brown.

The label might well have folded had it not been for the signing of an up-and-coming Melbourne art-rock band called Skyhooks, who were championed by former Daddy Cool supremo Ross Wilson. Wilson signed them to his publishing company, convinced Gudinski to sign them to Mushroom and produced their debut album and single. Released in August 1974, it shot to the top of the charts around the country [extract from Midoztouch]
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In addition to the releases on their standard label, Mushroom records also released a limited number of 'compilation' albums on their 'budget priced' anti-Rip Off label. One of these releases was called 'Great Aussie Rock' which is featured in this post. All artists on this great compilation were signed to Gudinski's record company and in many respects were his showcase bands. Bands such as Skyhooks, Madder Lake, Chain and The Aztecs were all huge at the time and help to make this a very collectible item indeed.
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Here is a brief run down of the bands on this compilation and the albums from which the tracks were taken:.
Skyhooks - Living In The 70's
Living in the 70's was the debut album released by Melbourne band Skyhooks in October 1974 on the Mushroom Records label. Initially charting in Melbourne only in 1974, by early 1975 the rest of the nation began to catch on. It spent 16 weeks at the top of the Australian album charts from late February 1975, and became the highest-selling album by an Australian act in Australia up until that time, with sales of 240,000. In October 2010, it was listed at No. 9 in the book '100 Best Australian Albums'. The album was produced by former Daddy Cool lead singer Ross Wilson.
Two singles were lifted from the album: "Living in the 70's"/"You're a Broken Gin Bottle, Baby" and "Horror Movie"/"Carlton (Lygon Street Limbo)", the latter spending 2 weeks at the top of the Australian singles chart in 1975. Six tracks from the album were banned on commercial radio in Australia, including the featured track 'Smut' on this compilation However, in defiance of this, the ABC's new youth station in Sydney, 2JJ, played the track "You Just Like Me 'Cos I'm Good in Bed" as their first ever song when they began broadcasting in January 1975.
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Ayers Rock - Big Red Rock
Ayers Rock's debut album 'Big Red Rock' was taped live before an invited audience at Armstrong's Studios in Melbourne, over two nights in September 1974. The live-in-the-studio approach worked extremely well for Ayers Rock, and the album clearly demonstrated why their awesome live 'chops' had made them such a popular concert attraction. But it also was something of a necessity for the cash-strapped label -- they took the same approach with and another early signing, Mackenzie Theory. The Ayers Rock LP reportedly cost Mushroom a mere $5000 to record.
Big Red Rock was an early critical and commercial success for Mushroom, showcasing the band's considerable prowess and the material was a good balance between the more commercial song-based material of McGuire and Brown and the more adventurous instrumentals. The LP features three songs by McGuire, including their memorable second single, the Latin-flavoured "Lady Montego", a song that dated back to McGuire's stint in Friends; an earlier, slower version appears (in a live recording) on the Garrison: The Final Blow LP.
Big Red Rock also features two excellent pieces by Loughnan including an awesome power-jam "Crazy Boys", two songs by Chris Brown, and a dazzling cover of Joe Zawinul's "Boogie Woogie Waltz", originally recorded by Weather Report (who were at that time virtually unknown in Australia).

..Madder Lake - Butterfly Farm
Recorded in October 1973 at TCS studios Richmond Melbourne . Produced by John French and Madder Lake.This album takes on a different musical direction with the inclusion of " Andy Cowen" on keyboards.
The second LP, 'Butterfly Farm', was released in April 1974; it sold very well (giving the band their second gold album) and went to #18 in the album charts. Mushroom lifted two Singles from it: the first was Butterfly Farm / Back Seat Song (April '74). Radio in Melbourne picked up one of the album tracks, "Booze Blues", and gave it a lot of airplay. Many fans thought it was the new single, so Mushroom rush-released it in May, but it was only a local hit in Melbourne and didn't chart nationally. The next single, It's All In Your Head / Slack Alice (November) was written specifically as with radio airplay in mind, but it didn't make the charts. A CD release of 'Butterfly Farm' is currently from Aztec Music
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Matt Taylor - Straight As a Die
His debut solo album, 'Straight as a Die', was released at the end of 1973. The single "I Remember When I Was Young"/"Krishna Loves You, Too," which had been recorded in an open paddock at Kingston Park Farm, hit the Top Ten in Melbourne. Note that his single "I Remember When I Was Young" didn't actually appear on the vinyl release in 1973 (even though a longer version of "Krishna Loves You, Too" did), but was included on the CD release in 1997.
The album reached number 15 on the national charts and Taylor toured the country, performing at Sunbury 1974; the live track "We'll Never Do the Same Again" appeared on the various artists album 'Highlights of Sunbury '74 Part 2'.
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Dingoes - Selftitled
The Dingoes are one of the greatest bands Australia has ever produced.
The Dingoes were only relatively successful when they released their self-titled debut album in June 1974, one of the first signings to Michael Gudinski’s Mushroom Records label. The lead single ‘Way Out West’ made an impression as did the second single ‘Boy On The Run’ released to coincide with the release of the album, but they weren’t runaway hits – and yet, you will know both those songs, as all through the years that have passed since they’ve never been far away from radio playlists. That in itself is a not sign of greatness but certainly of longevity.
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Greg Sneddon - Mind Stroll
Decent biographical information on Greg Sneddon is hard to come by; suffice to say that he's still performing today, thirty years after the release of what I presume was his debut album, 'Mind Stroll'. A keyboard player of some repute, Sneddon used a handful of other musicians on the album (not least a singer), playing multi-keys himself, although I'm afraid to say the end result's a little anodyne; the composition has its moments, but overall has far too much of a 'soft-rock' vibe about it. Full-on symph this is not. The two longer compositions, the title track and Madman are probably the best, but there's something lacking in this album; it doesn't even touch Aussie prog masters such as Sebastian Hardie or Aleph.
Ignore online references such as 'lots of Mellotron' with regard to this record; only two tracks I can hear, with polyphonic flutes on Winter and orchestrally-inclined strings on Take It Slow And Easy, which doth not a 'Tron album make.
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Coloured Balls - First Supper Last
Australia's Coloured Balls are the sort of thing legends are made of. In their homeland, that's exactly how they're revered, though their impact in the states and other parts of the world has gone virtually unheard. Headed by guitar hero Lobby Loyde, Coloured Balls pioneered a raucous, abrasive and loose sound that at one point became the mantra of skinheads in their native country.
'First Supper Last' is a stonkingly rocking album that was actually recorded in 1972, making it their first album, but was not released until 1976 after the band split in 1974.
'First Supper Last' is the sound of a band finding its sound. Though it is essentially a blues workout on most of the material here, the sound is punishing and energetic. It's evident from the start how this band earned its reputation. The album is padded with numerous cover tunes, but the original material is what really demands your attention. Loyde's guitar work is abrasive, chaotic and teetering on the verge of destruction...everything a charged rock and roll album should be.
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Buster Brown - Something To Say
Buster Brown was a short-lived, but highly influential Melbourne band from the early Seventies, who are remembered as the breeding ground for some of Australia ’s most famous musicians (AC/DC drummer Phil Rudd & Rose Tattoo vocalist Angry Anderson being the most notable).
Lack of industry infrastructure and media outlets plus sheer bad timing were factors - newly signed and fellow mushroom label-mates Skyhooks eclipsed Buster Brown just as they were gathering momentum. Angry Anderson on vocals and Phil Rudd on drums were the backbone of a rock outfit who were a force to be reckoned with on the live circuit.
Title track/theme song Buster Brown showcases the roots of Australian heavy blues-rock and Angry's penchant for writing lyrics that address growing up tough on the wrong side of an Australian suburb; Young Spunk and Apprentice do the same, echoing a time when panel vans had murals and kids from private schools would never dream of having tattoos. A CD release of 'Something To Say' is currently available from Aztec Music
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Chain - The (Very) Best Of
Chain were an Australian blues band formed in Melbourne as The Chain in late 1968 with a lineup including guitarist, vocalist Phil Manning; they are sometimes known as Matt Taylor's Chain after lead singer-songwriter and harmonica player, Matt Taylor. Their January 1971 single "Black and Blue", which became their only top twenty hit, was recorded by Chain line-up of Manning, Taylor, drummer Barry Harvey and bass guitarist Barry Sullivan. The related album, Toward the Blues followed in September and peaked in the top ten albums chart.
Chain had various line-ups until July 1974, they separated for several years then reformed in 1982 for a one-off concert and more permanently from 1983–1986. Further line-up changes occurred with some forms called Matt Taylor's Chain, from 1998 Chain members are Harvey, Manning, Taylor and Dirk Du Bois on bass guitar. Both Manning and Taylor have also had separate solo careers.
In 1973, Mighty Mouse would evolve into yet another Chain -- by now the 15th permutation of the band!. Signing to Mushroom, this line-up issued two singles, the medium-tempo "I Thought You Weren't My Friend" (August) and the gruff shuffle-blues "I'm Gonna Miss You Babe" (November). Neither was particularly successful, but the reconstituted group did impress on the touring circuit, appearing in March at yet another large outdoor gathering, the Down Under Rock Festival in Melbourne (again, all the usual suspects were on a bill that featured – surprise – headliners The Aztecs). During May, Chain toured the country as support to the Muddy Waters Band and soon after teamed with that band's James "Peewee" Madison (guitar, vocals) and George "Mojo" Beauford (vocals, harmonica) for recordings that would form part of Chain's next LP, Two Of A Kind.
Sadly, the single "I'm Gonna Miss You Babe" was never released on a studio album, although it did appear on later compilations 'The History Of Chain (1974)' and 'The (Very) Best Of Chain (1978)'
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Sid Rumpo - First Offence
Sid Rumpo was a fairly polished pub-rock band which formed in Perth in 1971 and unfortunately disappeared into the mists of time in 1974. 'First Offence' - Sid Rumpo's one and only LP as it turned out - features the twin guitar riffing of Elliot and Rob Searls on some very catchy boogie and blues-rock songs.
All the songs pump along with the assistance of some tasty electric piano chops from Ken Wallace over the tight grooves laid down by Noel Herridge on drums and Owen Hughes on bass.
But for me, it's Rob Searls' bluesy vocals that stamp 'First Offence' with it's appealing, distinctive 70's, Aussie Rock sound.
"The Riddle"/"Jump Down, Step Aside" was their only single with the A-Side only appearing on their album.
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Phil Manning - I Wish There Was A Way
One of Australia's best known guitarists, Phil has a single handedly turned more Australians onto the Blues than any other performer.
Chain guitarist and sometimes vocalist "I Wish There Was A Way" was Phil Manning's first solo album. In this case, Phil has pulled out his acoustic guitar and presented a set of predominantly well-structured soulful ballads - in most parts far removed from the sometimes meandering blues of Chain. Phil is one of the great Aussie guitarists and his playing on this sets a pretty high standard. The superb title track opens the album and fairly well sets the scene for what is to come. Renee Geyer also features on vocals. [extract from Midoztouch]
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Aztecs - Sunbury 73
Thorpie and the Aztecs' Mk V legendary performance at the inaugural Sunbury Pop Festival in January 1972 spawned the Top 5 hit album Aztecs Live! At Sunbury. The album peaked at #3 on the national chart during September, sold over 80000 copies and remains a milestone in the annals of Australian heavy rock. The crunching 'Mamma' also appeared on the Various Artists live album Sunbury, issued by EMI. Just after Sunbury, alongside La De Das and Friends, The Aztecs were responsible for drawing one of the largest crowds ever assembled in Australia at Melbourne's Myer Music Bowl (estimated at over 200000 people).
Thorpie was back in Australia in time to headline at Sunbury 1973. The live track, 'Going Back Home', appeared on Mushroom's triple album set 'The Great Australian Rock Festival Sunbury 1973' (April 1973). The version included here is an edited rendition of the 13min original, with the track fading out after 6 mins.
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The rip included here was taken from CD at 320kps and includes full album artwork for both LP and CD (thanks to Woodynet for the CD artwork). I have also included scans of the LP labels which depict Mushroom's infamous anti-rip off label.
This is certainly one of my favourite compilation records and a prize possession amongst by Aussie record collection.
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Track Listing
01 - Smut (Skyhooks)

02 - Lady Montego (Ayers Rock)

03 - Booze Blues (Madder Lake)
04 - Well Never Do The Same Again (Matt Taylor)

05 - Way Out West (Dingoes)
06 - Winter (Greg Sneddon)

07 - Johnny B Goode (Coloured Balls)

08 - Something To Say (Buster Brown)

09 - I'm Gonna Miss You Babe (Chain)

10 - The Riddle (Sid Rumpo)

11 - Love Is The Mender (Phil Manning)
12 - Going Back Home - Live (Aztecs)

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Great Aussie Rock Link (108Mb) New Link 11/01/2023
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