(Various Australian Artists 1980's)
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The
Building Bridges mob came together in February 1988. The following, after months on the telephone, was the result:
It was their inspiration to gather some of Australia's most influential acts together for an album that would draw attention to the plight of the original inhabitants of this country — the people who have an understanding of this land that few of us can comprehend — and provide an insight into the visions enjoyed by some of our premier artists.
The aim of this project was to provide funds to the National Coalition of Aboriginal Organisations (NCAO), a group representative of Aboriginal people throughout Australia. Funds raised through this record and other projects were used for peaceful projects aimed at enabling the NCAO to represent the Aboriginal peoples in consultation and negotiation with Australian governments in the pursuit of a just settlement. Funds were also set aside to seed projects aimed at bringing understanding and harmony to relations between Aboriginal and non-Aboriginal people in Australia.
The response to the proposal was overwhelming, evidence of the notion that our contemporary artists are concerned about the treatment of Aboriginal people and, along with their support personnel, were prepared to donate their time and talent to repairing the damage of the past.
This album marked the desire for a fair and equitable settlement with the indigenous peoples of Australia. If Australia is to move forward with any dignity, the time to act is now. If non-Aboriginal Australians take this opportunity to consult, listen and change, we will be taking those first vital steps toward the creation of an Australian society we can all be proud of. This was a voluntary project all the way through.
Building Bridges was the theme of a concert held at Sydney's Bondi Pavilion on January 24,1988. Organised as an expression of solidarity and support for Black Australia in our struggle for recognition during White Australia's bicentenary, the concert was a great success as thousands of Australians of all nationalities rocked on in a spirit of harmony, unity, friendship, happiness and mutual respect.
It is to that spirit of peace, harmony and mutual cooperation and respect that this album is dedicated. On the day of the Building Bridges concert, both myself, co-compere Peter Garrett, and the many great Aboriginal musicians and performers who appeared that day, all expressed the hope that one day perhaps all of Australia would be like that magical moment at Bondi. Those sentiments were echoed two days later when Australia's biggest ever march and rally of Aboriginal people and their supporters gathered again peacefully, harmoniously and with a sense of unity and purpose. Again Aboriginal leaders from all over the country expressed the desire to build a better Australia for all women, children and men, where the scourges of racism, sexism and exploitation would not exist. A dream? I don't think so. I have seen many apparently impossible dreams come true in my last 20 years in the Aboriginal peoples' struggle for justice, but we all have a long way to go. This album is an attempt by both Black and White Australians to "bridge" the gulf between us. It is only through better mutual understanding that we can proceed with the task of creating a more tolerant, compassionate, humane and equal Australian society. I hope this album inspires you to join with us who believe it can be done, or if not then be a mindless, apathetic bastard and at least enjoy the music! Yours in the struggle - Gary Foley (Project Co-ordinator).
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| Paul Kelly |
PAUL KELLY: "SPECIAL TREATMENT" - Written after a visit to Aboriginal communities in the Kimberleys region of Western Australia, "Special Treatment" makes its vinyl debut here. This live recording comes from the ABC program 'Blah Blah Blah'.Says Paul,"Complaints I've heard about special treatment given to Aboriginal people in this country gave me the idea for this song." And yes, it's a tongue in cheek song.
LES SHILLINGSWORTH &. FRIENDS: "JUSTICE WILL BE DONE" - Les comes from the northern N.S.W. town of Brewarrina. Money raised from the original independent cassette release of this song (recorded at 4AK Toowoomba) went to the Committee To Defend Black Rights and towards the creation of a Lloyd James Boney Memorial Park in Brewarrina. Lloyd James Boney died in police custody in Brewarrina on August 6,1987.
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| Goanna |
GOANNA: "SOLID ROCK" - One of the first mainstream songs to deal with the plight of Aboriginal people, this was a major hit in 1982. Songwriter Shane Howard, who spends his time in Melbourne and Kuranda and points in between, maintains a strong connection with Aboriginal people, one that's evident on his latest album, 'Back To The Track'.
HUNTERS & COLLECTORS: "BREAKNECK ROAD" — Inspired by the New Zealand government's declaration that no ships of the U.S. navy would be permitted to dock in N.Z. ports without first indicating whether or not they were carrying nuclear weapons. (The Yanks refused to confirm or deny and the Kiwis are now nuclear-free.) Says singer Mark Seymour, "Although Breakneck Road is not specific to the overall theme of this album, it touches on the idea that politics can be affected by the beliefs of a society determined to survive. Building Bridges is, above all, about changing the perception that blacks and whites have of each other ... because we are part of the same nation and our freedom can only be secure if we understand the effect that political power has on our lives ... how it moulds our understanding and our prejudice."
CAL' CALLAGHAN: "DO IT RITE" - Former Riptides and GANGajang vocalist
Mark 'Cal' Callaghan addresses the question of our relationship with the
traditional owners of this country with this, his first solo outing.
Released in late "88, it's taken from his debut solo album, Sailors and
Mermaids. "Most Australians," says Cal of his reasons for writing the
song, "feel there's not a lot they can do about it — they have no power
because they feel this is an historical problem. I recognise that and
this is why this issue has to be resolved, because young white
Australians feel very distant from the cause of this problem. It's a
difficult issue, but it must be settled."
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| Peter Garrett with Midnight Oil |
MIDNIGHT OIL: "WARAKURNA" - In 1986 the Oils embarked on the "Blackfella-Whitefella" tour, a four week journey through the Aboriginal communities of the Northern Territory. Aspects of that tour were encapsulated in the album "Diesel & Dust". This song
was written after a visit to the Ngaanyatjarra community of Warakurna in the Western Desert, a land of open spaces, sacred places and strict rules.
JOE GEIA: "YIL LULL" - Originally from Palm Island, Joe Geia was an
early member of seminal Aboriginal band No Fixed Address. The
Pacific-flavoured "Yil Lull" is the title track of his first solo album.
Dedicated to Paul Pryor, a brother who played didgeridoo on this track
and died in the struggle last year, Yil Lull was among the best
independent releases of 1988.
SCRAP METAL: "BROKEN DOWN MAN" - Scrap Metal are a hybrid child of the
ever-fertile Broome music scene. A coastal town with a rich
multicultural heritage, Broome's idyllic lifestyle has yielded some of
the pearls of Australasian reggae. From the roots of that strange
tropical plant have emerged the diverse styles of Scrap Metal. "Broken
Down Man" is the title track of their second album. Recorded in Subiaco,
it's been released by the infant Broome independent Jigil Records.
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| Do Re Mi |
DO RE MI: "THAT HANGING BUSINESS" ... "1988 celebrated 200 years of white rule in Australia, but 1988 did not acknowledge 200 years of black repression. A sad bi-product is the many young Aboriginal deaths in jail even in the midst of a royal commission into their deaths. Awareness is half the battle and we must act now. Our donation to this record is a belief that projects like these prompt people to ask the pertinent questions."
THE GRAVY: "SPIRIT OF THE LAND" - Originally recorded by Jo Jo Zep, this
passionate version of the Martin Kellock composition was recorded last
year by Gravy for his first solo album. A passionate supporter of the
Aboriginal cause who worked in the Melbourne rock scene as a roadie and
manager, the Gravy died in a car accident in October '88. Ross Hannaford
did the mix.
V. SPY V. SPY: "INJUSTICE" - In their early days, the Spys toured the Aboriginal communities of western New South Wales with Gil Weaver's Roadshow. Their observations were subsequently encapsulated in this song.
CROWDED HOUSE: "MANSION IN THE SLUMS"-It was drummer Paul Hester who
made the initial connection. Upon hearing about the Building Bridges
project he was keen to become involved. Hence the donation of this Neil
Finn song from one of the world's most popular acts.
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| INXS |
INXS: "ORIGINAL SIN" - This one topped the Australian charts in January '84. It was subsequently banned in parts of the U.S.A. because it infringed on the moral boundaries of traditional racial segregation. INXS responded to such ignorance by becoming one of the world's most popular acts.
GONDWAN ALAND: "BULL ANT" - Gondwanaland's didjeridoo player Charlie
McMahon has spent a lot of time working with the Luritja and Pintupi
people of the Western Desert, sinking bores and establishing outstations
for the traditional owners of those lands.
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| Dragon |
DRAGON: "SPEAK NO EVIL" - A band with more hits than Jeff Fenech, this one, says songwriter Johanna Pigott, "is about Australia's loss of innocence". After years of racist and derogatory talk about Aborigines, it's time we treated these indigenous peoples with the respect and humanity they deserve.
SWAMP JOCKEYS: "STRYCHNINE" - A dynamic act from delightful Darwin, the
Swamp Jockeys have spent much of their time working with Aboriginal
people across the Top End. Strychnine, from the mini-album Bones Of
Contention, deals with the poisoning of Aboriginal people in Alice
Springs in the mid '80s.
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| The Saints |
THE SAINTS: "SWING FOR THE CRIME"-Originally released on The Saints 1978 album Prehistoric Sounds is one of the most progressive post-punk elpees, Chris insisted on its inclusion because his new brother-in-law is a blackfella "and in some respects so am I."
ROSS WILSON: "LIVING IN THE LAND OF OZ"-An Australian classic from one of the country's most respected songwriters, musicians, vocalists and producers, Living In The Land Of Oz was first released in October '76. "This song articulates the sentiment of the Building Bridges project."
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| No Fixed Address |
NO FIXED ADDRESS: "WE HAVE SURVIVED" -Coming out of South Australia, No Fixed Address were among the prime movers of contemporary Aboriginal music. With the release of Wrong Side Of The Road, a film that dealt with the racism faced by touring Aboriginal bands, they established the essential political direction of Aboriginal rock. This version of "We Have Survived" is taken from the film soundtrack.
The National Coalition Of Aboriginal Organisations
The National Coalition of Aboriginal Organisations (N.C.A.O.) was formed in April 1986 to provide a strong voice at the national level for Aboriginal community-based organisations. It is a collective organisation respecting the autonomy of its member organisations. Its membership now includes national Aboriginal organisations in such areas as Health, Land Rights, the Law, Child Care and Community Administration. Membership is open to all Aboriginal organisations which are community, rather than government, initiated and controlled.
By donating their songs to this project, the artists have waived their standard performance and songwriting royalties. In a show of solidarity, their record companies and publishing firms have also waived their mechanical royalties. The results of their generosity will, no doubt, be evident in the years to come.
For further information on the N.C. A.O. write to P.O. Box 229, Glebe, N.S.W. 2037.
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This post consists of FLACs ripped from my CD copy of this double album (have the vinyl also) and includes full artwork from both media types. This compilation of White Australian and Indigenous artists is a who's who of Aussie musicians that have played a key role in building not only the Australian Music Industry but also highlighting the importance of our cultural heritage.
I trust you will appreciate the significance of this release when you listen to it and acknowledge the importance of our Indigenous music.
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Track Listing
01 - Special Treatment (Paul Kelly)
02 - Justice Will be Done (Shillingsworth)
03 - Solid Rock (Goanna)
04 - Breakneck Road (Hunters & Collectors)
05 - Yil Lull (Joe Geia)
06 - Warakurna (Midnight Oil)
07 - Strychnine (Swamp Jockeys)
08 - That Hanging Business (Do Re Mi)
09 - Injustice (V. Spy V. Spy)
10 - Do It Rite (Cal Callaghan)
11 - Original Sin (INXS)
12 - Broken Down Man (Scrap Metal)
13 - Speak No Evil (Dragon)
14 - Mansion In The Slums (Crowded House)
15 - Spirit Of The Land (The Gravy)
16 - Bullant (Gondwanaland)
17 - Swing For The Crime (The Saints)
18 - Living InThe Land Of Oz (Ross Wilson)
19 - We Have Survived (No Fixed Address)
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Building Bridges FLACs (480Mb)
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Alan decided to carry on with the band – and 4 more albums were released – which included their biggest hit ‘One Day At A Time’. In 1971 the Hawking Brother’s fan club was founded by a Dianne Johns
