Showing posts with label Yardbirds. Show all posts
Showing posts with label Yardbirds. Show all posts

Friday, September 30, 2022

W.O.C.K On Vinyl - Haven't I Heard That Riff Before? #2


Before things get too serious here at Rock On Vinyl, I thought it might be fun to post a song or album at the end of each month, that could be categorized as being either Weird, Obscure, Crazy or just plain Korny.

For this WOCK on vinyl post, I thought I might revisit some of the 'Riff Ripoffs' that have occurred in the music industry, which probably makes it a ROCK on Vinyl post after all!

Firstly, the correct term for Rip Off is of course Plagiarism. Plagiarism is the act of copying someone else's written work and claiming it as your own. While the act can be illegal, as well as unethical, the term plagiarism is not used in law. Legally, it is one form of copyright infringement, so it enters into the arcane world of Intellectual Property law. When a musical composition is plagiarized, it's the copyright on the written musical score or arrangement that is being violated.

While accusations of music usurping show up in the news quite often, less than 100 cases have actually gone through the federal courts in the United States since the 1850s, according to the UCLA Copyright Infringement Project. As a plaintiff, you have to prove the other person copied a "substantial part" of your original work and you need to show a "substantial similarity" between the two works.
Consequently, I will let you be the judge for the following 3 ripoff cases:

"You Need Loving" (Small Faces, 1969) V's "Whole Lotta Love" (Led Zeppelin, 1969)

“Whole Lotta Love” is a song by English rock band Led Zeppelin. It is featured as the opening track on the band’s second album, Led Zeppelin II, and was released in the US and Japan as a single.
Most people think it is a Led Zeppelin original but they actually nicked two versions of two songs to make “Whole Lotta Love”.  Here’s the breakdown…

In 1962, Muddy Waters recorded a blues vocal, "You Need Love", for Chess Records. As he had done with "You Shook Me", Waters overdubbed vocals on an instrumental track previously recorded by blues guitarist Earl Hooker and his band. Willie Dixon wrote the lyrics, which Dixon biographer Mitsutoshi Inaba describes as being "about the necessity of love":

You've got yearnin' and I got burnin'
Baby you look so ho sweet and cunnin'
Baby way down inside, woman you need love
Woman you need love, you've got to have some love
I'm gon' give you some love, I know you need love

In 1966, British band the Small Faces recorded the song as "You Need Loving" for their eponymous debut Decca album. According to Steve Marriott, the group's vocalist and guitarist, Page and Plant attended several Small Faces gigs, where they expressed their interest in the song. Plant's phrasing is particularly similar to that of Marriott's, who added "he [Plant] sang it the same, phrased it the same, even the stops at the end were the same". Similarities with "You Need Love" led to a lawsuit against Led Zeppelin in 1985, settled out of court in favour of Dixon for an undisclosed amount. On subsequent releases, Dixon's name is included on the credits for "Whole Lotta Love". Plant explained in an interview with Musician magazine:

Page's riff was Page's riff. It was there before anything else. I just thought, 'well, what am I going to sing?' That was it, a nick. Now happily paid for. At the time, there was a lot of conversation about what to do. It was decided that it was so far away in time and influence that ... well, you only get caught when you're successful. That's the game. [Robert Plant]

"Little Games" (Yardbirds, 1967)  V's  "Seven Stars" (Uriah Heep, 1973)

""Little Games" was a single released by the Yardbirds in 1967, and also appeared on their album of same name. It was their first album recorded after becoming a quartet with Jimmy Page as the sole guitarist and Chris Dreja switching to bass. It was also the only Yardbirds album produced by Mickie Most. The first Mickie Most-involved recordings took place at Olympic Studios in London on 5 March 1967. This session produced the single "Little Games" backed with "Puzzles".  Although Dreja and drummer Jim McCarty were present to record "Little Games", Most used studio musicians John Paul Jones (bass and cello arrangement) and Dougie Wright (drums) for their parts to cut down on studio time.

Step forward six years, and popular UK band Uriah Heep were working on their sixth studio album entitled 'Sweet Freedom', released on 3rd September, 1973. I distinctly remember the time when I bought this album, as I had only just discovered this band after listening to their 'Demons and Wizards' and 'Magician's Birthday' albums.  I couldn't wait to get the copy onto my turntable, and it was everything I'd hoped for. Every track on the album had its unique riff and sound, but one track in particular stood out for me - and that track was "Seven Stars".  Starting with its first 5secs of high pitched screeching and then its distinct 'galloping guitar riff' and Hammond organ interludes accompanying David Byron's vocals, this track had me hooked immediately.
My obsession with the band eventually faded once Byron and Hensley had left the band, but it was only recently that I stumbled upon the Yardbirds track "Little Games", and my heart sank even further. That magical riff in Seven Stars was the same as the one in "Little Games".

Ironically, the most popular track on Uriah Heep's 'Sweet Freedom' album was 'Stealin' which was also written by Ken Hensley! Hmmm.......Anyhow, have a listen....am I wrong or right?

Lady Of Light (Autumn, 1971) V's  Ventura Highway (America, 1972)

Finally, I'd like to share the similarity between an earlier release by Australian band Autumn entitled "Lady Of Light" and the later hit "Ventura Highway" by popular duo America. Although the tracks differ in their sound (keyboard v's acoustic guitar) and speed, the general beat and riff along with vocal phrasing are too similar in my opinion.  Autumn's track is heavier and more labored than America's song I admit, but I find myself hearing the more popular Ventura Highway when listening to their track.
As the Autumn track was released more than 12months early than America's mega hit, it makes we wonder whether Dewey Bunell had heard this song, which inspired his writing of Ventura Highway. 
 
"Ventura Highway" was lifted from Homecoming, their second studio album which was released on November 15, 1972 through Warner Bros. Records. Acoustic guitar-based, with a more pronounced electric guitar and keyboard section than their first album.  Homecoming peaked at number 9 on Billboard's Pop Albums Chart and was certified platinum by the RIAA. It produced three hit singles, one of which was "Ventura Highway", which peaked at number 8 on the Billboard singles chart.

Well, there you have it - more 'ripoffs' that have occurred in the music industry, and of course I'm sure there are many more. If you have some examples that you would like to share with other visitors at Rock On Vinyl, then feel free to list them in the Comments.

I have included all of the tracks mentioned above as MP3 (320kps) in the download, so you can make your own judgment about each Rip Off.  If you found this post interesting, then you'll probably enjoy my first Rip Off post back in 2010.

Rip Off #2 Link (49Mb) New Link 13/11/2024

Tuesday, February 13, 2018

Eric Clapton & The Yardbirds - Rarities (1994)

(U.K 1963-1968)
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The Yardbirds formed in 1963 and were originally known as Be Metropolis Blues Quartet.
The primary members of the band included Anthony Topham, known as 'Top" who was replaced by Eric Clapton in October 1963. At that time the band comprised of the following musicians:-

Eric Clapton - Lead guitar
Keith Relf - Vocals and Harmonica
Chris Dreja - Rhythm guitar
Jim McCarty - Drums
Paul Samwell-Smith - Bass guitar

Eric Clapton joined the Yardbirds in late 1963 and left the band in early 1965 when he was dissatisfied with their new pop direction. In between was the calendar year 1964, when Clapton led the group to explore and advance the blues foundations which would be adopted by many groups over the coming decades, including several of Clapton’s own vast musical entities.

The Yardbirds 1964
Following the Rolling Stones in residency at the famous Crawdaddy Club in Richmond, they became cult figures of the time and attracted crowds of fans to the legendary Marquee Club in London.
A tour of Europe with American Blues artiste, Sonny Boy Williamson was enhanced by a joint album titled "Sonny Boy Williamson And The Yardbirds" which was released in 1965 and subsequently re-issued in 1975. This album became a rare collectors item.

Other albums included "Five Live Yardbirds" released in 1964 and a successful hit album "Yardbirds" which reached the number 20 spot and remained in the chart for 8 weeks in 1966. The band's American albums included "For Your Love" in August 1965 and "Having A Rave Up" in January 1966.

The band also experienced singles chart successes, topped by "Heart Full Of Soul" which was their highest chart record, reaching number 2 in June 1966. ft remained for 13 weeks. Their most remembered single, however, was "For Your Love" which achieved a number 3 position in the UK charts on the 18th March 1965 and sustained for 12 weeks. Other singles included, "Good Morning Little School" November 1964, "Evil Hearted You" in October 1965, "Shapes Of Things" in March 1966, "Over Under Sideways Down" in June 1966 and "Happenings Ten Years Time Ago" in October 1968.


Over the years the band has hosted musicians of outstanding merit who have moved on to become rock legends in their own time and artists of world acclaim including Jimmy Page, who went on to become a founder of Led Zeppelin and Jeff Beck whose successful single "Hi Ho Silver Lining", which appeared 3 times in the UK charts in March 67, November 72 and October 82, has long been overshadowed by his world success as a respected guitarist with such albums to his credit as, "There And Back", "Flash" and "Beck, Bogert & Appice". Eric Clapton's continued success, world acclaim and respect need no endorsement and are currently self evident.


This album comprises the original line-up including Eric Clapton and the tracks are original live radio recordings which must be considered rare in their own right.
The Yardbirds will be remembered as a great band and the springboard for a wealth of musical talent which has brought pleasure to millions of fans throughout the world.
[Sleeve notes compiled by Ian Taylor King]
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There are only nine songs on the disc. The source of the tracks seems to be open for debate. The liner notes claims these are "radio recordings" by The Yardbirds. Allmusic.com claims these are recordings of a super group involving Clapton, Jimmy Page, Mick Jagger, Bill Wyman, Charlie Watts and Ian Stewart. After some digging I was able to identify the tracks.

Four tracks are clearly The Yardbirds, possibly BBC recordings. "They are I Wish You Would", "For Your Love", "A Certain Girl", and "Got To Hurry". All also appear on The Yardbirds' first US LP, proof that the tracks here are indeed The Yardbirds with Eric Clapton.

It is worth noting  that there is some contention as to whether Eric Clapton actually played on the Yardbirds first big hit "For Your Love".  In Ritchie Yorke's biography of Led Zeppelin, he looks at the evolution of Led Zeppelin from the Yardbirds (which later featured Jimmy Page) and discusses this very point.  On page 42-43, nightclub owner of the Cradaddy Club in Richmond and manager 'Giorgio Gomelsky' talks about the Yardies first hit single "For Your Love" and states:

"It was very difficult in those  days because we had the problem of trying to make a hit single that would work out for everybody. Eric Clapton didn't even play on "For Your Love" - there was simply no guitar part for him. We got Brian Auger in to play harpsichord. I can still remember Eric lying on his back at the IPC Studios while we were recording the song - he just wasn't interested in it at all, and I can't blame him. It was terrible that we had to go through all that hit single bullshit. Personally I just wanted the band to make live albums - I thought that albums were going to be the important thing and they were, but not until three years later!.....Eric Clapton made no secret of his profound dislike of "For Your Love's" blatant commercialism, as he didn't want to pander the hit single genre, and this was one key reason for his decision to quit the Yardies in January, 1965. Another was Clapton's tenuous relationship with vocalist Keith Relf. Eric found it difficult to work with Keith musically.


The other five tracks are instrumentals that carry Clapton/Page songwriting credits. According to the exhaustive online database, Complete Works of the Rolling Stones, the tracks titled "Choker", "Draggin' My Tail", "Snake Drive", and "West Coast Idea" were indeed recorded in June 1965 by Clapton and Page, and in August 1965 the aforementioned members of The Rolling Stones (except Charlie Watts was not present - Chris Winters sat in the drummer's chair for the sessions) added backing instrumentation separately. I cannot find documentation for "Freight Loader". On the disc, the song is just two electric guitars, so it may be from that June '65 session without any other musicians involved.

In the end, this is an interesting collection of mid-60s British blues. Clapton's solos on the instrumentals are at times astonishing. For that alone you may feel it's worth it. Not sure how much I'll listen to this in the future. It's a nice little time capsule if nothing else.

Paul Samuel-Smith, Keith Relf, Chris Dreja, Eric Clapton and Jim McCarty
Review
This album is essentially live recordings of material. There are only 3 vocal tracks on this album, "I Wish You Would", "For Your Love", and "A Certain Girl". The album is also composed of six instrumentals, the aforementioned "Choker, Snake Drive, Draggin' My Tail, Freight Loader, Got To Hurry and West Coast Idea". Out of the tracks, "For Your Love" is probably the most well-known track of the group. As stated in the liner notes above, it spent an astonishing 12 consecutive weeks at #3 on the British charts. The three actual songs are pop-influenced melodies that will get you singing, but the genius of the album are the instrumentals.

10" Vinyl Release
Here we get to see the influence of the blues on tracks like "Freight Loader", "West Coast Idea" and "Got To Hurry". These gems are a nice close to the album, with the upbeat tempo "Got To Hurry", is followed by the more bluesy sounding and slower playing "West Coast Idea". If you like blues guitarists, you won't be disappointed by sampling some of the tracks on this album. The opening track "Choker" is a nice hook that gets you interested enough to listen, while the singing tracks offer a nice change up to the blues-influenced instrumentals which dominate the theme of the album. This is a nice method to introduce someone to the Yardbirds. The total album is only around 21 minutes long in terms of listening time, but good things come in small packages!

A 10" vinyl reissue of the album was released in 1998 on the Get Back label in white Vinyl, with a different order in the track list.
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This post consists of FLACs ripped from my AMCOS CD release and includes artwork for both CD and 10" Vinyl formats. There have been other CD releases of this album and I've included artwork for these as well.
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Track Listing
01. Choker 1:19
02. I Wish You Would 2:15
03. Snake Drive 2:26
04. For Your Love 2:24
05. Draggin' My Tail 3:02
06. A Certain Girl 2:14
07. Freight Loader 2:44
08. Got To Hurry 2:17
09. West Coast Idea 2:16 
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Eric Clapton - Lead guitar
Keith Relf - Vocals and Harmonica
Chris Dreja - Rhythm guitar
Jim McCarty - Drums
Paul Samwell-Smith - Bass guitar
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Eric Clapton & The Yardbirds FLACs  (137Mb)
New Link 20/12/2023