REPOST: Various Aussie Artists - A Reefer Derci (1976)

(All Australian Artists)
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The Reefer Cabaret was the successor to the fabled TF Much / Much More Ballroom concert 'happenings' promoted by Bani McSpedden and John Pinder in 1971-72. The Much More events ended in December 1972, reportedly because of complaints from St Patrick's Cathedral (who owned Central Hall, where the shows were staged) about the type of music being performed and the use of drugs by audience and performers. During 1973 Pinder and McSpedden reportedly promoted similar events under the title "Stoned Again" (a name no doubt inspired by the famous Robert Crumb dope cartoon) but we've been unable to locate any details about these events as yet.

Like the Ballroom, the Reefer Cabaret was not the name of a venues per se (like Catcher or the Thumpin' Tum) but rather the title for a regular concert event held in one of the large community halls Melbourne that could be rented on a casual or regular basis for dances, meetings and similar functions -- in this case, the Dallas Brooks Hall in inner Melbourne, and built by the local chapter of the Order of Freemasons.

Like the Ballroom shows, the Reefer Cabaret events were usually held monthly and typically featured long concert-style performances, with multiple musical acts on the bill, interspersed with comedy, poetry readings, theatrical, dance or novelty performances.

The first Reefer Cabaret show was held on 3 August 1974 at the Dallas Brooks Hall. It starred The Dingoes, soul group Skylight, the avant garde group Wind and rising stars Skyhooks, with its charismatic new lead singer Graham "Shirley" Strahan. The night cost $1200 to stage, and attracted 850 people. Unfortunately the Freemasons, who owned the Hall, were not impressed by the type of music (or its volume), nor by the copious quantities of illicit substances which were consumed by the audience. Roberts was obliged to move the Reefer Cabaret to the Ormond Hall in Prahran, owned by the Blind Institute of Melbourne, who apparently didn't have the same qualms about the moral dangers of loud music and dope-smoking. The shows were then presented on a monthly basis, with newer bands such as Madder Lake, Ayers Rock, Split Enz, The Renee Geyer Band and Ariel, who gained invaluable experience before a relatively discerning audience.

The Reefer Cabaret shows ran until sometime in 1976. As with the Garrison venue (which closed in 1974) the Reefer Cabaret gave considerable support to artists on the fledgling Mushroom label and (like the earlier Garrison: The Final Blow double album) Mushroom commemorated the Reefer Cabaret by recording the final concerts and compiling a selection of tracks on the valedictory 2LP set A-Reefer-Derci, (1976), which featured performances by Ariel, Ayers Rock, the Captain Matchbox Whoopee Band, the Renee Geyer Band, Skyhooks and Split Enz (Extract from Milesago).

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Standout tracks are Ayers Rocks cover versions of the Rolling Stone's 'Gimme Shelter' and Weather Report's 'Boogie Woogie Waltz'. Their live work is nothing short of spectacular. Another personal favourite is Split Enz's rendition of 'Time For A Change' which showcases the superb vocals of Tim Finn and the haunting keyboards of Eddie Rayner.

This rip was taken from a Vinyl pressing in FLAC format (thanks to Sunshine) and includes full album artwork (thanks to Micko at Midoztouch)

Reposted in FLAC format for your pleasure

Track Listing
1. Intro/Welcome
2. Intro To Renee Geyer Band
3. Renee Geyer Band: It's A Man's Man's World
4. Intro to Split Enz
5. Split Enz: Amy
6. Split Enz: Lovey Dovey
7. Split Enz: Time For A Change
8. Ayers Rock: Boogie Woogie Waltz
9. Ayers Rock - Gimme Shelter
10. Ariel - I Can't Say What I Mean
11. Ariel - Rock 'n' Roll Scars
12. Captain Matchbox Whoopee Band - Roll That Reefer
13. Captain Matchbox Whoopee Band - The Prefect
14. Captain Matchbox Whoopee Band - Out In The Suburbs
15. Skyhooks - Revolution
16. Skyhooks - Smut
17. Skyhooks - Saturday Night

A Reefer Derci FLAC Link (474Mb) New Link 03/09/2023

Captain Matchbox Whoopee Band - Wangaratta Wahine (1974)

(Australian 1971-1980)
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The Captain Matchbox Whoopee Band was an Australian band, active throughout the 1970s. It was based in Melbourne and centred around singer and multi-instrumentalist Mick Conway (Captain Matchbox) and his brother Jim Conway, who is widely regarded as one of Australia's finest exponents of the blues harmonica. Original line-up: Dave Hubbard (vocals), Peter Inglis, Peter Scott, Mick Fleming, Jim Niven, Mick Conway, Dan Hicks Back in 1968, Mick Conway and his brother Jim formed the Jelly Jug Band as a joke to enter a talent quest. To their astonishment, they won!
The Captain Matchbox Whoopee Band emerged from the Jelly Beans in 1969. They began playing regularly at any venue that lent itself to their theatrical music style. In particular they played the Much More Ballroom in Melbourne They organised a National Jug Orchestra from jug bands all over the country in April 1972.

Mick Conway

The band's first single, "My Canary Has Circles Under His Eyes", hit the national charts in November '72. However, they experienced a major split shortly afterward. In the interim came a single, "I Can't Dance (Got Ants In My Pants)", and early in 1973 their first album, 'Smoke Dreams'. After a period of recess, the band reorganised, and by September the line-up had consolidated to its more notorious format as follows: Jim Niven (piano), Mick Fleming (banjo, mandolin, guitar); Jim Conway (harmonica, kazoo, recorder); Mick Conway (vocals, horn, ukeh) Geoff Hales (drums); Fred Olbrie (violin, guitar, harmonica); David Flett (sax, flute); and Dan Hicks (guitar).
Changes in line-up were characteristic of the band, perhaps because it was more a theatrical unit than a rock group.
During 1974, two more singles emerged: "Your Feets Too Big" and "Hernando's Hideaway". At the end of the year came the 'Wangaratta Wahine' album. It featured old standards as well as originals by Mick Conway and David Flett.
Also during the year, John Snyder worked with them on guitar.

The group became a TV regular and toured extensively throughout 1975. The year also saw the departure of Geoff and Dan to be replaced by Chris Worrall (guitar) and Manny Paterakis (drums), and was rounded off with their third album, 'Australia'. The change was followed by Fred leaving, to be replaced by Jack Saram.
By mid '76, another upheaval occurred when Graeme Isaacs joined, filling Manny's shoes on drums. The band then consolidated as a six piece unit (Mick C, Mick F, Graeme, Jack, David and Gordon McLean) and embarked on a campus tour.
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Then, in November, the group again reformed, becoming part of a fifteen member theatrical touring act set up by the Australian Performing Group. The whole group adopted the name 'Soapbox Circus', and two new faces - Peter Mulheissen and Rick Ludbrook appeared (David Flett was the notable omission from the new unit).
A live album, 'The Great Stumble Forward', surfaced in June 1977. A single, "If I Can't Hav-Anna In Cuba" followed. The end of the year saw the band performing a play called Smack In The Dacks, and by 1978 the band was known simply as Matchbox with the line-up now comprising Mic, Jim, Ludbrook, Mulheisen, McLean, Tony Burkys (guitar, ex-Original Battersea Heroes) and Stephen Cooney (guitar, later of Redgum), who was replaced by Louis McManus (ex-Bushwackers). Matchbox released the Slightly Troppo album, and the delightful single "Sleep" (June 1978), followed by "Love Is Like A Rainbow" (January 1979), as well as making an appearance in Tim Burstall's 1979 feature film version of the Jack Hibberd play Dimboola.

Captain Matchbox Whoopee Band On Countdown 1975

By mid-1979, the line-up of the Conways, McManus and Mulheissen had been augmented by Robert Ross (drums, ex-Manning), Eric McCusker (guitar) and Chris Coyne (sax, flute). That version of the band introduced a more rock-oriented sound, but it lasted only about a year; McCusker left to join Ross Wilson's Mondo Rock and was replaced briefly by Peter Martin. In its final incarnation as 'The Matchbox Band', the group released one last recording, an independent single, "Juggling Time" / "Dirty Money", before breaking up in September 1980 [extract from Noel McGrath's 'Australian Encyclopedia Of Rock' Outback Press, 1978]
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Makin' Whoopee

(Article from The Echo, June 27th, 2013)

Whoever said musicians can’t multi-task obviously hasn’t met Mic Conway. Conway, 62, was a high school student when he founded Captain Matchbox Whoopee Band with his brother Jim, and has been incorporating magic tricks, fire-eating, tap dancing and juggling into his performances ever since.
"When people come to see a show they might love music, but they like to look at things as well and that’s what I’m all about," the Melbourne artist said.
"I like dressing songs with visual things." Starting a jug band in the 1970s was a bold venture, and one that led him to record numerous albums, tour the world and win an ARIA.
"As a kid I collected old 78 gramophone records, and when I came across jug band and blues on those recordings it changed my life.
"We were in school at the time and just did the jug band as a joke, then suddenly it became a career." Conway and guitar flatpicking champion Robbie Long will put on a theatrical display at Ocean Grove’s Piping Hot Chicken Shop tomorrow night, after an opening act from friend and fellow musician Sarah Caroll.
Conway’s colourful career includes creating what is now known as Circus Oz, working with film and television programs such as The Wiggles, performing one-man shows at schools and of course writing and playing music.
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"The jug band was my entree into music because you could play instruments that weren’t instruments, and things that were just a bit of junk suddenly became very musical," he said.
"I just stumbled into my career. I didn’t mean to be a performer but haven’t stopped." Conway has recently been busy recording an album with his National Junk Band, and one song, 'Growing Old Disgracefully', could be the title track.As they say, if you haven’t grown up by 50, you don’t have to.
 [Artice by Bethany Tyler]
 Side Note: Bethany writes for both the Geelong Advertiser and Echo Newspapers and is one of our very own up and coming 'budding journalists' - so watch this space, I'm sure there will be plenty more to come!
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This post consists of MP3 rip (320kps) taken from my treasured vinyl and includes full album artwork and select photos of the band. If you haven't heard 'The Captain Matchbox Whoopee Band' then I'm sure you will be pleasantly surprised with the diversity in instrumentation and musical finesse that this band brought to the Australian Music Industry and believe me, there was no other band like them at the time!
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Track Listing
01 - Blues My Naughtie Sweetie Gives To Me
02 - Lovesick Blues
03 - Half A Moon Is Better Than No Moon
04 - Jug Band Music
05 - Wait For Me Juanita
06 - Top Hat
07 - If Youse A Viper
08 - That's What The Bird Sang To Me
09 - Wangaratta Wahine
10 - Flamin May
11 - Your Feets To Big
12 - Hernandos Hideaway
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The band were:
Mick Conway (Vocals, Washboard, Phonograph Horn, Ukelele, Jug)
Jim Conway  (Harmonica, Kayoo, Whistles, Vocals)
Fred Olbrei (Violin, Vocals)
Dave Flett  (Bass, Vocals, Harmonies, Ukulele)
Geoff Hales (Drums, Washboard, Tap Dancing)
Jim Niven   (Keyboards)
Mick Fleming (Banjo, Mandolin)
Jon Snyder   (Guitar)
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Sorry, but this album is now available from Aztec Records, and features some live bonus tracks, making it great value for money.  Please support our local artists by purchasing the CD.
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