As the effects of Beatlemania became all pervasive, the label decided to release a live album to capitalise on The Beatles' US success. During their first full American tour Capitol agreed to record the group's concert at the Hollywood Bowl on 23 August 1964. George Martin was at the venue, working with Capitol Records' producer Voyle Gilmore on the recording. The concert was seen by 18,700 people.
"George Martin made such a speech. It sounds like he changed it but I doubt it. There's not much he could do. It was recorded on three-track machines with half-inch tapes. The Hollywood Bowl has a pretty good stereo sound system so we plugged our mikes right in there. I didn't do an awful lot. There wasn't much we could do. They just played their usual show and we recorded it. It wasn't that bad. I kept thinking, 'Maybe we'll get permission to release the tapes.' So I took them back to the studio and worked on it a while. I worked on the applause, edited it down, made it play and EQd it quite a bit.
I thought the first concert was a little better than the second. I don't know if I would have put them together like they did because doing it that way they have sacrificed an album. They really could have made two albums". [Voyle Gilmore 1977]
Although they had hoped the 1965 recordings would be better than the previous year's, Capitol decided that the quality was insufficient for release. The tapes remained in the record company vaults for several years, and in 1971 were given to Phil Spector to see if an album could be prepared. However, Spector's work came to nothing, and the tapes remained unreleased for several more years.
"Capitol called me a few months back and asked if I could help find the tapes in the library and, of course, I knew right where they were. They wanted to get permission to put them out and thought it would be useful if George Martin was involved, since he knew the boys and had made all their other records". [Voyle Gilmore, 1977]
In the mid-1970s Capitol president Bhaskar Menon gave George Martin the tapes and asked him to compile an official live album. Although impressed with The Beatles' performances, he found the sound quality disappointing. Nonetheless, in January 1977 he began working with studio engineer Geoff Emerick to clean up the master tapes and assemble a set of songs for release.
There have been an awful lot of bootleg recordings made of Beatles concerts around the world and they've been in wide circulation. But when I listened to the Hollywood Bowl tapes, I was amazed at the rawness and vitality of The Beatles' singing. So I told Bhaskar that I'd see if I could bring the tapes into line with today's recordings. I enlisted the technical expertise of Geoff Emerick and we transferred the recordings from three-track to 24-track tapes. The two tapes combined 22 songs and we whittled these down to 13. Some tracks had to be discarded because the music was obliterated by the screams." [George Martin]
Six songs were included from the 23 August 1964 concert tapes: Things We Said Today, Roll Over Beethoven, Boys, All My Loving, She Loves You and Long Tall Sally.
Due to an error, the tracklisting for The Beatles At The Hollywood Bowl lists all the recordings as dating from 1964 or 30 August 1965. However, three of the songs - Ticket To Ride, Dizzy Miss Lizzy and Help! - originated from 29 August 1965. Unfortunately a technical fault left Paul McCartney's vocals and introductions inaudible during the first four songs of the first 1965 show, rendering a substantial portion of the recordings unusable.
Five songs from 30 August 1965 appeared on The Beatles At The Hollywood Bowl: Twist And Shout, She's A Woman, Dizzy Miss Lizzy, Can't Buy Me Love and A Hard Day's Night. The album version of Dizzy Miss Lizzy was a composite edit incorporating parts of the 29 and 30 August performances.
Some of The Beatles' on-stage announcements were inconsistent when presented in album form. A Hard Day's Night and Help! are both referred to as their latest albums, owing to the different recording dates. [extract from beatlesbible.com]
This post offers two choices for download. Nevertheless, both contain MP3 rips (320kps) from my Near Mint Vinyl and full album artwork for both LP and CD. Alternative covers are also included (see below)
The first post consists of two MP3 files, each taken from a side of the album without track breaks. Because each song runs into the next, with some banter by the boys in between, the full atmosphere of the recording is retained.
The alternative post consists of separate MP3 files for each of the songs, however, the breaks are not always seamless, and therefore the concert atmosphere is somewhat disjointed in this version.
Either way, this is a classic recording of the Fab Four in their hey day, when Beatlemania was at its peak.
01 - Twist And Shout
02 - She's A Woman
03 - Dizzy Miss Lizzy
04 - Ticket To Ride
05 - Can't Buy Me Love
06 - Things We Said Today
07 - Roll Over BeethovenSide B
08 - Boys
09 - A Hard Day's Night
10 - Help!
11 - All My Loving
12 - She Loves You
13 - Long Tall Sally
The Beatles were:
Paul McCartney: vocals, bass guitar
George Harrison: vocals, electric guitar, acoustic guitar
Ringo Starr: vocals, drums
The Beatles Live - Side A / B (80Mb) New Link 12/10/2016
The Beatles Live - Separate Tracks (80Mb) New Link 12/10/2016