Redgum - Cut To The Quick (1982) 12inch E.P

(Australian 1975-1990)
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Redgum was an Australian folk and political music group formed in Adelaide in 1975 by singer-songwriter John Schumann, Michael Atkinson on guitars/vocals and Verity Truman on flute/vocals; they were soon joined by Chris Timms on violin. All four had been students at Flinders University and together developed an intensely passionate and outspoken outlook. They are best known for their protest song exploring the impact of war in 1983's "I Was Only Nineteen (A Walk in the Light Green)", which peaked at #1 on the National singles charts.

John Schumann was recently described by rock historian Glenn A. Baker as “One of the finest songwriters this country has produced”, John’s songs have been paid the ultimate compliment by becoming the property of the people and the country they were written about. His lyrics are on reading lists in schools, colleges and universities throughout Australia.

In an interview with Damien Hooper from the A.B.C, John states that his band was among the countries first of a political nature. 
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"Probably the first political band, a long time before Midnight Oil I'm here to tell you," he says.
According to John the band was born while studying a 'politics and art' course at Flinders University in South Australia.
"The original three from Redgum got together and wrote a whole bunch of songs to demonstrate that we knew what the course was about.
"Those songs knocked the class sideways and ended up being the guts of our first album," he says.
In 1983 the band Redgum released the song 'I was only 19' and John says he still remembers writing the classic Aussie; a horrifying account of the Vietnam War through the eyes of his brother-in-law.

John & Michael

"I listened to Mick's story which I recorded on cassette. I listened to it on my walkman for about nine months, when I came to write the song, I wrote it in about 15 minutes," he says.

Their 4 track EP 'Cut to the Quick' was released in 1982 after their brilliant 3rd album 'Brown Rice and Kerosene', and shows the beginnings of Redgum's maturing with Hugh McDonalds "Diamantina Drover," being a true masterpiece.
A live version of this song can be found on 'Caught  In The Act" along with "Fabulon", while "Where Ya Gonna Run To" is from the previous release 'Brown Rice and Kerosene'.
This stripped down version of "Working Girls" is only found here, a reworked version appearing on "Frontline" while "Fabulon" and "Diamantina Drover" were eventually re-released on their 2004 'Against the Grain' - The Redgum Anthology.
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Redgum on Stage at Adelaide University Union Bar

This post consists of FLACs ripped from a newly acquired vinyl copy of this 12" E.P (found in amongst an extensive and well looked after collection of Redgum and Bushwackers LP's at the flee market). Needless to say, this is not the only gem I picked up - so stay tuned for more titles. Full album artwork and label scans are also included as usual. Photos featured here were sourced from John Schumann's official website with thanks.

For those of you who haven't heard "Fabulon", it is a parody song based on Boney M's hit single "Rivers of Babylon" and contains a multitude of Aussie brand names like Sunbeam, Revlon, Myers, Visine, Listerine, and even Harpic Blue! in amongst its lyrics   A clever song indeed.
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Track Listing

01 - Working Girls
02 - Fabulon
03 - The Diamantina Drover
04 - Where Ya Gonna Run To
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Redgum were:
Michael Atkinson (Guitar, Mandolin, Vocals)
Hugh McDonald (Guitars, Bass, Vocals)
John Schumann (Guitar, Vocals)
Verity Truman (Flute, Saxophone, Vocals)
with Steve Donald - drums on Diamantina rover
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Redgum Link (111Mb) New Link 20/03/2023
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W.O.C.K On Vinyl - Redgum: Roll It On Robbie (1987)

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Before things get too serious here at Rock On Vinyl, I thought it might be fun to post a song / album at the end of each month, that could be categorized as being either Weird, Obscure, Crazy or just plain Korny.
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Formed in Adelaide, Australia in 1975, the success of Redgum’s brand of folk/rock political satire has since been regarded as an anomaly, albeit thoroughly deserved. The core members comprised university students John Schumann (vocals/guitar), Verity Truman (vocals/tin whistle/saxophone), Michael Atkinson (vocals/guitar/mandolin), and have in the past included 15 other musicians.

After going professional the band built up their support base by constant touring featuring an excellent live show, with stage wit provided by Schumann, whose droll voice was the antithesis of the traditional rock hero. Their debut album provides some of their best material, comprising typically astute observations on the rich, the hypocritical, politicians and the plight of the under privileged, but it was only originally available on a small independent label. National mainstream success was not achieved until the release of ‘I Was Only 19’, in 1983, a song written about a survivor of the Vietnam war, which compares favourably with three other poignant anti-war songs by fellow Australians - ‘Jungle Green’ by Broderick Smith, ‘The Band Played Waltzing Matilda’ by Eric Bogle and ‘Khe Sahn’ by Cold Chisel. A second hit single, the reggae-flavoured ‘I’ve Been To Bali Too’ (1984) hit home with many Australian tourists. As the band lost more original members, they began to lack their characteristic bite even though their albums became better produced.

This, their third Australian chart single from 1987, ‘Roll It On Robbie’, caused outrage amongst the conservative elements of the country because it encouraged the use of condoms to promote safe-sex. A non-LP single, it was intended as a humorous promotion for the use of condoms and the fight against the spread od AIDS.  It was Redgum's final single release and it entered the Top 40 Charts, but the now-rare single was regarded more as a novelty song than a serious piece of social advice. Composer John Schuman now reportedly considers the song "an embarrassment" which is a shame, as the intentions behind this single were quite honourable in my opinion.[extract from
John Schumanns's Website]
Below is an article from Juke 1987 regarding this single, which refers to Ansell's intention to provide one free condom with each single sold. It would seem however, that Redgum's record company CBS were not comfortable with this proposal as the company feared it might be liable for any malfunction in the condom provided.
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So, whether this month's entry into the 'WOCK on Vinyl' Hall of Fame is the O for Obscure (there's one copy selling on eBay at the moment for $50) or simply the C in Condom, I reckon  "Roll It On Robbie" deserves another 'stretch' in the limelight.
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Track Listing

01 - Roll It On Robbie
02 - Empty Page
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Redgum Were:
Hugh McDonald - lead vocals, guitar
Verity Truman -vocals
Michael Spicer - keyboard, vocals
Darren Deland - bass, vocals
Malcolm Wakeford - drums, vocals
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Redgum Link (20Mb)
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Redgum - Brown Rice & Kerosine (1981) + Bonus Track

(Australian 1975-90)
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When Brian Medlin, convenor of the Politics and Art course in 1975, suggested that some people might like to co-operate on a music project, three people raised their hands.
John Schumann, Michael Atkinson and Verity Truman were as yet unacquainted. It came to light later that Michael thought John was a loudmouth, John thought Michael was wet, and neither of them had really noticed Verity because she was very quiet.
They immediately fell into a deep and meaningful relationship with each other and wrote about eight songs. They performed the songs to the class and met such a strong and positive reaction that Michael, John and Verity decided to accept some of the invitations that followed to play at various gatherings.
At a function held by the Progressive Art Movement, Chris Timms, a former student of Flinders University Philosophy, offered his services as a violinist. A friend from university, Steve Brown, suggested the name Redgum and for want of anything better the quartet adopted it.
Redgum started on the South Australian campus circuit. The strikingly original material and the uncompromising delivery won them a small but very supportive following. A campus tour of Melbourne was organised and during that hectic week, the ABC recorded some of their songs. Community radio 3CR taped the band and played the songs regularly to a responsive listenership.
The band returned to Melbourne several times during 1976 and 1977, sometimes sponsored by 3CR, sometimes by progressive groups, to play concerts, rallies, benefits and the odd pub. Redgum quickly established a sizeable and quite general audience.
Back in Adelaide, Redgum performed "live to air" for 5UV, the radio station attached to the University of Adelaide. At folk concerts, union nights, rallies and benefits, Redgum would appear sporadically in Adelaide until their self-produced show 'One more boring Thursday night in Adelaide' established them outside of campuses. This show was part of the Festival of Arts Focus program in 1978 and was listed by The National Times as an attraction not to be missed.
It was shortly after this, and numerous enquiries in Adelaide and Melbourne as to the availability of tapes, that 3CR asked Redgum's permission to run off tapes for the people who had asked for them. On hearing that there were two hundred people listed as wanting copies the band decided to make an album.
The sales of the album "If You Don't Fight, You Lose" surprised everyone concerned. It became Larrikin Records' best seller and received airplay on most on the non-commercial stations around the country.
On the strength of the album, Redgum ventured to Sydney and Newcastle. They played a number of shows for the Amalgamated Metal Workers and Shipwrights Union, a concert at the Balmain Town Hall and a couple of folk clubs.
It is interesting to note that all this time, Michael, John, Chris and Verity all held full time jobs in Adelaide. Michael was teaching part time and studying, Verity had disappeared into the bowels of the Public Service,
Chris was Academic assistant at the South Australian School of Art and John was an English and Drama teacher at Marion High School. Trips interstate were made on weekends and in school holidays. This madness persisted until December 1980.
The bands trip to Melbourne in 1980 saw Dave Flett playing bass and Gordon Mclean drumming. In Adelaide, Chris Boath played bass and Geoff Gifford played drums.
During the middle of 1980 Redgum began work on 'Virgin Ground', their second album. It was released late in 1980 and, like its predecessor, it met strong critical acclaim.
Michael, John, Chris, Verity and Chris Gunn made a number of important decisions regarding the bands future in 1981. The five friends decided to give up full time employment in favor of Redgum. Tom Stehlik, an Adelaide drummer was recruited and with Dave Flett Redgum passed the sixth month mark as a professional band.
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The band's third album, 'Brown Rice and Kerosene', introduced the single "100 Year On" / "Nuclear Cop". The title is taken from the first track on the LP, and the album was released around the time Redgum changed from a part-time band to a full-time job for its members.
As noted on a sticker on the cover, the song "Liberal Values" was to have been included on the album but was removed for legal reasons, and as far as I know still unavailable.
The Redgum Songbook 'Stubborn Words, Flagrant Vices' was also published in 1981.
In May 1982, long-serving member Chris Timms left the band to be replaced by Hugh McDonald (violin, guitar, vocals). The 12-inch EP 'Cut to the Quick' was released in September 1982 and contained four tracks.
By 1983 Redgum was one of the biggest crowd-pulling bands on the Australian scene. The live album 'Caught in the Act' produced the classic song "I was only Nineteen (A Walk in the Light Green)" which reached #1 and stayed in the top 40 for four months.
By 1984, the Redgum line-up comprised Schumann, Truman, Atkinson, McDonald, Stephen Cooney (bass,didgeridoo, mandolin, banjo), Michael Spicer (piano) and Brian Czempinski (drums).
Redgum's fifth album, Frontline, was released in August 1984. A compilation album 'Everything's Legal Anything Goes' was released in November 1984.
Redgum toured the UK and Europe in the latter half of 1985 and released a compilation album in a number of territories. The band was well received on the festival circuit and earned itself a strong and loyal following in London during its time there.
In may 1986, co-founder John Schumann surprised fans by leaving the band. He signed with CBS as a solo artist and he recorded the album 'Etched in Blue' at the Music Farm in Byron Bay in 1987. Schumann's touring band included Mal Logan, Louis McManus, David Dharamaesena, Mark Peters and a trio of backing vocalists Deborah Paul, Melinda Pike and Nicky Schultz.
In the meantime, Truman, Atkinson, McDonald and Spicer continued on as Redgum, recording the album Midnight Sun. Redgum's final single was 'Roll it on Robbie/Empty Page' which reached #34 in May 1987. Michael Atkinson left Redgum in 1987. His departure precipitated the bands' break-up soon thereafter [taken from http://www.schumann.com.au]
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Review
1981 was the year Redgum went full time as the band members gave up their day jobs to pursue the band. It was also the year that their 3rd Lp was recorded and released. I remember hearing about this during an interview on 4zzz, the album was just released it was a promotional thing and they played the single "100 years on".
I still love the song, a modern take on "Waltzing Matilda", it takes us to the heart of John Schumann's songwriting genius, his ability to tell a yarn. This is my favorite Redgum album, its the songs that do it and sure there's a bit on clumsy left rhetoric, but I can forgive it, the brilliance in some songs more than makes up.The sound is less folk like, introducing things like synthesizers, yet not sounding commercial.
The epic "Where you gonna run to now" exposes Schumann's fears for the future and a strong environmental stance that was unheard of at the time. And "The Federal Two Ring Circus" is and very funny take on our political system, but "Your OS Trip" seems a little too bitter.
The truly greatest track however is the Schumann penned "The Last Frontier." Here he captures a young man pilgrimage to the heart of Australia [review by Bob at Striped Sunlight Sound]
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The rip was taken from a long out of print CD at 320kps and includes full album artwork from both CD and LP (thanks to Grado at Midoztouch for Vinyl scans). The bonus track "I Was Only 19 (A Walk In The Green)" is also included (a recording taken from a radio broadcast, where John Schumann talks a little about his 'anti-war' anthem before the track is played - thanks to Sunshine at Midoztouch)
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Track listing
01. 100 Years On
02. Lear jets over Kulgera
03. Caught in the act
04. Yarralumla Wine
05. Where Ya Gonna Run To

06. Brown Rice and Kerosene
07. The Federal Two-Ring Circus
08. Your O.S Trip
09. The Last Frontier
10. Paramatta Gaol 1843
Bonus Track
11. I was Only 19 (Radio broadcast / Interview)
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Redgum were:
Michael Atkinson: Guitars, keyboards, vocals
John Schumann: Vocals, guitar
Chris Timms: Vocals, violin
Verity Truman: Vocals, flute, tin whistle, saxophone
David Flett: Bass
Trevor Courtney: Drums and percussion
Mark Gillespie: Guitar on "Last Frontier"
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Redgum Link (84Mb) New Link 04/12/2024
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